{"id":7640,"date":"2020-02-17T10:00:53","date_gmt":"2020-02-17T09:00:53","guid":{"rendered":"http:\/\/www.auxsons.com\/?post_type=focus&#038;p=7640"},"modified":"2020-02-19T10:57:04","modified_gmt":"2020-02-19T09:57:04","slug":"we-dont-have-the-right-to-make-mistakes-the-struggle-of-brazils-female-musicians","status":"publish","type":"focus","link":"https:\/\/www.auxsons.com\/en\/focus\/we-dont-have-the-right-to-make-mistakes-the-struggle-of-brazils-female-musicians\/","title":{"rendered":"<span class=\"dquo\">\u201c<\/span>We don\u2019t have the right to make mistakes\u201d: the struggle of Brazil\u2019s female musicians"},"content":{"rendered":"<p>Samba, forr\u00f3\u2026 In Brazilian music, women have often been relegated to the role of singers and dancers. But all-women groups have formed in recent years and been forced to contend with Brazil\u2019s cultural machismo.<\/p>\n<p><span class=\"dquo\">\u201c<\/span>We are women of all colours, all ages and many loves (\u2026) All Brazilian women grow up oppressed by the patriarchy. But times have changed. Now it\u2019s my body, my&nbsp;rules\u201d.<\/p>\n<p>The audience picks up the chorus from the eight female musicians and singers in the samba group. Most of them are women; their right hands on their hearts, left fists in the air and a broad smile on their lips. The Samba Que Elas Querem (in English \u201cThe Samba Women Want\u201d) group\u2019s cover of the song by Martinho da Vila is now as popular as the original.<\/p>\n<p>Despite forming just two years ago, the group from Rio has already toured in Portugal and released a single.<\/p>\n<p>&nbsp;<\/p>\n<p>Samba Que Elas Querem - Nos somos mulheres:<\/p>\n<iframe title=\"Samba Que Elas Querem - &quot;No\u0301s Somos Mulheres&quot;\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/B5YJqc-rK-A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><b><span lang=\"EN-GB\">The stage needs to be conquered&nbsp;<\/span><\/b><\/p>\n<p class=\"p3\"><span lang=\"EN-GB\">Seven years ago, the group Mo\u00e7a Prosa, formed by six black women, was one of the first groups of female musicians to break through in&nbsp;Rio.<\/span><\/p>\n<p class=\"p3\"><span lang=\"EN-GB\"><span class=\"dquo\">\u201c<\/span>We were always being tested\u201d, remembers Luana Rodrigues, a percussionist in the group. \u201cSometimes men in the audience would come and tap us on the shoulder to ask us to get up so they could take our place. Like they wanted to show us how to play\u201d. They admit to having got up at the start. \u201cWe didn\u2019t really get it\u201d, recognises Ana Priscila da Silva, another percussionist in the group<i>. <\/i>\u201cWe didn\u2019t understand that it was discrimination, machismo\u201d.<i> <\/i><\/span><\/p>\n<p class=\"p3\"><span lang=\"EN-GB\">A machismo that takes many forms: at the beginning, when they were asked to play, organisers would check that they were up to playing non-stop for four hours. Their attitude is scrutinised whenever they play. They have already been criticised for not smiling enough during their concerts. \u201cWould people ever say that about an all-male group?\u201d<i> <\/i>wonders Ana Priscila. \u201cWe\u2019re often criticised for details\u2026 We don\u2019t have the right to make mistakes\u201d.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span lang=\"EN-GB\">Mo\u00e7a Prosa - Somos Todas Marias:<\/span><\/p>\n<iframe title=\"Somos Todas Maria\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/BDVfzgvvMuU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p class=\"p3\"><span lang=\"EN-GB\">Similar accounts are heard in other types of Brazilian music. The group Forr\u00f3zinas is made up of five musicians who play forr\u00f3, a popular style of music from Brazil\u2019s north&nbsp;east.<\/span><\/p>\n<p class=\"p3\"><span lang=\"EN-GB\">As women, they feel that they are sometimes not taken seriously: \u201cThe mixing deck was something we had to win over\u201d, explains Marcela Coelho, a musician in the group. She has noticed that sound technicians often fail to take their comments into account. \u201cThey won\u2019t let us touch it\u201d, she says with indignation. \u201cSometimes, they come over when I\u2019m making adjustments and completely take over. They think that because I\u2019m a woman I don\u2019t have the technical skills to adjust my own sound\u201d.<i> <\/i><\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><b><span lang=\"EN-GB\">Long-standing machismo<\/span><\/b><\/p>\n<p class=\"p3\"><span lang=\"EN-GB\">As in forr\u00f3, women in samba have more often than not played a secondary role. But despite being undervalued, they were crucial to the birth of this musical genre. Starting with Tia Ciata, one of samba\u2019s many \u201ctatas\u201d. A cook, she opened up her home to host samba parties at a time when the musical genre was banned. Machismo was such that women could not put their own names to their compositions. This was a case of Dona Ivone, for example, who would put male pseudonyms to her&nbsp;music.<\/span><\/p>\n<p class=\"p3\"><span lang=\"EN-GB\">For this new generation of female musicians, changing mindsets begins with changing lyrics. A long tradition of chauvinistic and misogynistic lyrics that sometimes incite violence. \u201cThere are songs we don\u2019t sing\u201d, says Cecilia Cruz, who plays the cavaco in the group Samba Que Elas Querem. She quotes a passage from <i>\u201c<\/i>Faixa Amarela\u201d by Zeca Pagodinho: \u201cIf she falters \/ I\u2019ll punish her \/ Give her a good slap \/ Break five teeth and four ribs\u201d. But awareness of this culture of machismo, present in the lyrics despite joyful melodies, isn\u2019t always clear. \u201cWe grow up listening to this music<i>,\u201d<\/i> stresses Marcela. \u201cOften, we sing it, but then when we stop for a few seconds to think about it we realise\u201d.<i> <\/i><\/span><\/p>\n<p class=\"p3\"><span lang=\"EN-GB\">When they are on the stage, they feel that they have an important political role. \u201cWe become messengers\u201d, Marcela hopes. \u201cWe can\u2019t reproduce this type of violence that isn\u2019t just machismo but also often homophobic or racist!\u201d The Forr\u00f3zinas admit to feeling free in their music: \u201cWe\u2019ve even done a swimsuit video, but it was absolutely not sexual\u201d,<i> <\/i>laughs Milena Pastorelli, the group\u2019s accordionist.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p5\"><span class=\"s2\"><span lang=\"EN-GB\">Forrozinas - Chiclete Com Banana:<\/span><\/span><\/p>\n<iframe title=\"Chiclete Com Banana - Forrozinas\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Y0l8zDrtIE0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><b><span lang=\"EN-GB\">Sisterhood<\/span><\/b><\/p>\n<p class=\"p3\"><span lang=\"EN-GB\">Female musicians talk about their hopes for their careers as if there was a battle to be won. And for good reason; as yet very few of them are able to make a living from their art. This tough start has motivated them to stick together. \u201cWhenever we hear that stand-in musicians are needed, we always suggest women first,\u201d explains Luana Rodrigues.<\/span><\/p>\n<p class=\"p3\"><span lang=\"EN-GB\">In the big cities of south-east Brazil (Rio, S\u00e3o Paulo, Belo Horizonte), groups of female musicians are becoming more and more numerous. J\u00falia Ribeiro, a percussionist with Samba Que Elas Querem, recalls the importance of transmission during concerts: \u201cWe want to reach as<\/span> <span lang=\"EN-GB\">many women as possible who will hear our message and say \u2018Why not us?\u2019 and start taking up more space\u201d. Proud of having already inspired several groups in just a year since they formed, the Forr\u00f3zinas are keeping all their options open. <i>\u201c<\/i>We already see ourselves on tour in Europe and the north-east of Brazil\u201d, says Milena Pastorelli.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Samba, forr\u00f3\u2026 In Brazilian music, women have often been relegated to the role of singers and dancers. But all-women groups have formed in recent years and been forced to contend with Brazil\u2019s cultural machismo. \u201cWe are women of all colours, all ages and many loves (\u2026) All Brazilian women grow up oppressed by the patriarchy.<\/p>\n","protected":false},"author":236,"featured_media":7617,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-7640","focus","type-focus","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u201cWe don\u2019t have the right to make mistakes\u201d: the struggle of Brazil\u2019s female musicians - #AuxSons<\/title>\n<meta name=\"description\" content=\"Samba, forr\u00f3\u2026 In Brazilian music, women have often been relegated to the role of singers and dancers. 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