{"id":6232,"date":"2019-11-11T10:12:40","date_gmt":"2019-11-11T09:12:40","guid":{"rendered":"http:\/\/www.auxsons.com\/?post_type=focus&#038;p=6232"},"modified":"2019-11-04T12:33:38","modified_gmt":"2019-11-04T11:33:38","slug":"maku-music","status":"publish","type":"focus","link":"https:\/\/www.auxsons.com\/en\/focus\/maku-music\/","title":{"rendered":"Maku Music"},"content":{"rendered":"<p style=\"text-align: right;\"><span class=\"dquo\">\u201c<\/span>Music is the only universal language,<\/p>\n<p style=\"text-align: right;\">the only one that is understood and spoken<\/p>\n<p style=\"text-align: right;\">in each of the 195 countries on this planet.\u201d<\/p>\n<p style=\"text-align: right;\">Tomson Highway<\/p>\n<p>&nbsp;<\/p>\n<p>Few people on the other side of <em>keechigamaak<\/em>, \u201cthe big water\u201d as the Eeyou call the Atlantic Ocean, are aware of the Indigenous musical effervescence in the Francophone environment in Kanata (Canada). Ten First Nations occupy the K\u00e9beq (Quebec). They are the Innu, Eeyou, Atikamekw, Mi\u2019qmakw, Waban A\u2019kis, Wolastoqiyik, Anishnaabes\/Algonquins, Naskapi, Kanien\u2019ke: Akas and Wendats. In addition to the 700,000 First Nations, there are 13,000 Inuit from Nunavik in the&nbsp;North.<\/p>\n<p>&nbsp;<\/p>\n<p>After contacts that led to territorial dispossession and a quasi-cultural genocide, this is an era of affirmation marked by political and institutional changes. Throughout gatherings in Indigenous territories and on urban stages, a dynamic artistic universe vibrates. Its roots, spread by talented Indigenous musicians, create planetary nomads, moving everywhere on the back of <em>Y\u00e4ndiawish<\/em>, the great turtle, Mother Earth.<\/p>\n<p><strong><em>&nbsp;<\/em><\/strong><\/p>\n<iframe title=\"Kashtin - Tshinanu\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/etPqwfCZP18?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>Our musicians are <em>Makusham<\/em> makers. Their sound vibrations have a wild origin, associated with the one called (in Algonquin languages) <em>Maku<\/em>, the bear. Hibernating in the bowels of Mother Earth, this mythological animal keeps in it the memory of the land. It follows bees and butterflies to medicinal plants. Having transmitted to humans the dream of taking off to play, sing and dance, in other words, the impulse to nomadism and healing. <em>Maku<\/em> symbolizes the fusion of animist breath with the contemporary festive, unifying and beneficial musical rhythms. Moreover, the musical essence of our spoken\/sung languages embodies an identity that links cultural movements to musical trends. For many Indigenous people, multilingualism was an asset long before the arrival of colonial languages. This linguistic versatility reinforces, with half of the indigenous population living in cities, the role of musicians as spokespersons for the revitalization of indigenous languages, recognized by <span class=\"caps\">UNESCO<\/span>. Let us add their ease for multi-instrumentalist, multidisciplinary and international collaborations, a phenomenon linked to musical creativity in the vicinity of visual arts, theatre and documentaries.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Community affirmation<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p>Thirty years of community self-determination are coming to an end. In K\u00e9beq, the Innu First Nation is the musical leader and shines throughout all 54 reserves. Maliot\u00e9nam, a community on the North Shore, is at the epicentre of this movement: it is the birthplace of the famous duo <strong>Kashtin<\/strong> (1989), home to the <a href=\"https:\/\/www.innunikamu.ca\/\">Innu Nikamu Festival<\/a> (heading into its 36th annual edition since 1984) and Florent Vollant\u2019s music production studio. In addition, the <a href=\"http:\/\/www.socam.net\/\">Atikamekw-Montagnais Communication Corporation<\/a>\u2019s network of community radio stations continuously broadcast Indigenous music on reserves. The \u201cPow Wow Trail\u201d that extends to more than fifteen communities is part of this musical affirmation in Indigenous territories. In addition, the the excursions to the reserves of the <a href=\"http:\/\/www.wapikoni.ca\/home\">Wapikoni Mobile<\/a> video production project with its <a href=\"https:\/\/nikamowin.com\/fr\"><em>Nikamowin<\/em><\/a> branch (Nomadic Music) is stimulating the emergence of the next generation. Finally, far from forgetting such pioneers as <strong>Alanis Obomsawin, <\/strong><a href=\"http:\/\/buffysainte-marie.com\/\"><strong>Buffy Sainte-Marie<\/strong><\/a><strong>, Philippe Mackenzie, Robbie Robertson<\/strong> and <strong>Kashtin<\/strong> (Florent Vollant and Claude Mackenzie), they are being celebrated with documentaries and awards.<\/p>\n<p><strong><em>&nbsp;<\/em><\/strong><\/p>\n<iframe title=\"Buffy Sainte-Marie &amp; Tanya Tagaq &quot;You Got To Run (Spirit Of The Wind)&quot;\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/o5zb0WTSLsY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>These elements reflect a strong, networked, rapidly developing music in First Nations communities, connected to the urban Indigenous showcases of the <a href=\"http:\/\/www.socam.net\/gala_musique_teweikan.html\"><em>Teweikan<\/em> Galas<\/a> and the <a href=\"https:\/\/www.presenceautochtone.ca\/\">Montreal First People\u2019s Festival<\/a> in Ti\u00f6ti\u00e0:ke\/Montreal. This year, the Association qu\u00e9b\u00e9coise de l\u2019industrie du disque, du spectacle et de la vid\u00e9o (<span class=\"caps\">ADISQ<\/span>) is opening one Indigenous category at its high-profile Gala. Invitations to the <a href=\"https:\/\/www.sakihiwe.ca\/\">s\u0101kihiw\u0113 festival<\/a> in Winnipeg and the <a href=\"https:\/\/www.indigenousmusicsummit.com\/\">International Indigenous Music Summit<\/a> in New Orleans echo this international openness.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Planetary nomads<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p>In 2019 the stars are aligned. An essential creative critical mass for Indigenous music is taking shape in America. And it is undoubtedly the steady beat and increased interest in the rhythms of the drums and traditional songs that are the first vibrations. They can be heard through the updating of traditional songs, folk, country and rock, blues, jazz and opera, rap, reggae, slam, world music, electro-pop to classical music.<\/p>\n<p>&nbsp;<\/p>\n<p>The preponderance of drums reminds us of the inalienable place given to the Ancients by perpetuating traditional rhythms and songs as the Innu <strong>Charles-Api Bellefleur<\/strong> does with ardour. On urban stages, the social drums of musicians like <a href=\"https:\/\/www.facebook.com\/OdayaDrumGroup\/\"><strong>Odaya<\/strong><\/a> and <a href=\"http:\/\/moeclark.ca\/\"><strong>Moe Clark<\/strong><\/a> resonate. On the Pow Wow trail, groups like the <a href=\"http:\/\/www.blackbearsingers.com\/\"><strong>Black Bears Singers<\/strong><\/a> (Atikamekw) metamorphose the large inter-tribal drums into \u201csacred thunder\u201d.<\/p>\n<p><strong><em>&nbsp;<\/em><\/strong><\/p>\n<iframe title=\"Black Bear Singers Rock The House - Crow Hop Pala California 2015 | Powwow Times\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Lrja8nOzf_c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>Spoken word poetry ensures the transition between tradition and hypermodernity. This is the case with Katajjait throat singing contests by Inuit women including <a href=\"http:\/\/tanyatagaq.com\/\"><strong>Tanya Tagaq<\/strong><\/a> and <a href=\"https:\/\/www.elisapie.com\/\"><strong>Elisapie Isaac<\/strong><\/a>. The bear\u2019s steps and drum vibrations are electrified in folk, country and rock styles through the Innu (<strong>Florent Vollan<\/strong>t - mentor of the younger generations and 2019 Teweikan Gala Award: <a href=\"https:\/\/www.facebook.com\/pages\/category\/Artist\/Scott-Pien-Picard-147872655912450\/\"><strong>Scott-Pien Picard<\/strong><\/a><strong>, <\/strong><a href=\"http:\/\/matiu.ca\/\"><strong>Matiu<\/strong><\/a><strong>, <\/strong><a href=\"https:\/\/www.facebook.com\/Matenmusique\/\"><strong>Maten<\/strong><\/a><strong>, Innutin<\/strong>) and Atikamekw (<strong><a href=\"https:\/\/www.sakayottawa.org\/\">Sakay Ottawa<\/a>, <\/strong><a href=\"https:\/\/fr-ca.facebook.com\/pages\/category\/Musician-Band\/Laura-Niquay-877143622344139\/\"><strong>Laura Niquay<\/strong><\/a><strong>, <\/strong><a href=\"https:\/\/nikamowin.com\/fr\/artiste\/ivan-boivin-flamand\"><strong>Yvan Boivin-Flemand<\/strong><\/a>), and <a href=\"https:\/\/anachnid.bandcamp.com\/\"><strong>Anachnid<\/strong><\/a> (Cree). There are several intertribal collaborations such as <a href=\"https:\/\/open.spotify.com\/artist\/7MHVMBQK55O8QBWFobRr0A?autoplay=true&amp;v=A\"><strong>Nikamu Mamuitun - Chansons rassembleuses<\/strong><\/a><strong>.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>They became rap with the Algonquin <a href=\"https:\/\/www.facebook.com\/samianofficielle\"><strong>Samian<\/strong><\/a>, Naskapi group <a href=\"https:\/\/www.facebook.com\/violentground\/\"><strong>Violent Ground<\/strong><\/a>, and the Miq\u2019makw <a href=\"https:\/\/www.facebook.com\/Q.052.REZ\/\"><strong><span class=\"caps\">Q052<\/span><\/strong><\/a>, reggae with the singer Innu <a href=\"http:\/\/shauit.com\/\"><strong>Shauit<\/strong><\/a>, slam with the Innu poet <a href=\"https:\/\/natashakanapefontaine.com\/\"><strong>Natasha Kanap\u00e9 Fontaine<\/strong><\/a><strong>,<\/strong> blues and jazz with Wendat <a href=\"http:\/\/riapa.ca\/andree-levesque-sioui\/\"><strong>Andr\u00e9e Kwe\u2019dokye\u2019s Levesque Sioui<\/strong><\/a>, Anishinabe <a href=\"http:\/\/www.diggingrootsmusic.com\/band\"><strong>Digging Roots<\/strong><\/a>, Inuit <a href=\"https:\/\/quantumtangle.com\/index.html\"><strong>Quantum Tangle<\/strong><\/a>, M\u00e9tis <a href=\"https:\/\/fr-ca.facebook.com\/Kawandak\/\"><strong>Kawandak<\/strong><\/a> and Miq\u2019makw <a href=\"https:\/\/nikamowin.com\/en\/artist\/raymond-sewell\"><strong>Raymond Sewell<\/strong><\/a> and <a href=\"https:\/\/backwatertownship.bandcamp.com\/\"><strong>Backtower Township\/Corey Thomas<\/strong><\/a>. Through their use of turntables and synthesizers, DJs like <a href=\"https:\/\/geronimoinutiq.bandcamp.com\/\"><strong>Geronimo Inutik<\/strong><\/a><strong>, <\/strong><a href=\"https:\/\/ziibiwan.bandcamp.com\/\"><strong>Ziibiwan<\/strong><\/a>, and of course <a href=\"http:\/\/atribecalledred.com\/\"><strong>A Tribe Called Red<\/strong><\/a> are ready for the electronic world\u2019s festivalgoers.<\/p>\n<iframe title=\"Shauit - Eshk\u1d58 Inniu Innu -  Vid\u00e9oclip officiel\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/h0tTUYqGHLM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>Furthermore, we can say that classical music is becoming more Indigenous! Just follow the furrows of Cree musician <a href=\"https:\/\/www.tomsonhighway.com\/\"><strong>Tomson Highway<\/strong><\/a> signing the musical libretto <em>Tshakapesh<\/em> played in four communities by the Montreal Symphony Orchestra and its conductor Kent Nagano. Or listen to the tenor voice of artist <a href=\"https:\/\/jeremydutcher.com\/\"><strong>Jeremy Dutcher<\/strong><\/a> mixing piano, drum and recording traditional songs on the old beeswax rolls to sing the Wolastok (the Wolastoqiyik river) in his language. Singer <strong>Andr\u00e9e Kwe\u2019doky\u2019es Levesque Sioui<\/strong> also drew inspiration from such recordings to create the piece <em>Kwayaweh<\/em> in Wendake with the Orchestre philarmonique de Qu\u00e9bec.<\/p>\n<p>&nbsp;<\/p>\n<p>In the end, against the environmental damage done to Mother Earth, Indigenous women artists are the warriors of this 21st century, and among them, the Inuit singer <strong>\u00c9lisapie Isaac<\/strong>, winner of the Best Show Award at the 2019 Teweikan Gala. Her latest composition <em>Nous avons march\u00e9 <\/em>was sung by thousands of children at school on the very day of the world\u2019s major climate marches. She also mentioned all these marches for justice for Indigenous women. This piece carries the vibrations of hope of a frozen revolution in northeastern America. It is the one of wilderness through music to renew our relationships. In other words, Indigenous musicians are ready to cross the oceans backwards to decolonize the scenes overseas.<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<iframe title=\"Elisapie - Nous avons march\u00e9\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/O30Q4_0xMAA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<a href=\"https:\/\/mundialmontreal.com\/\"><img decoding=\"async\" class=\"wp-image-6239 alignright lazyload\" data-src=\"http:\/\/www.auxsons.com\/wp-content\/uploads\/2019\/10\/logo-noir_mundial-300x74.png\" alt width=\"166\" height=\"41\" data-srcset=\"https:\/\/www.auxsons.com\/wp-content\/uploads\/2019\/10\/logo-noir_mundial-300x74.png 300w, https:\/\/www.auxsons.com\/wp-content\/uploads\/2019\/10\/logo-noir_mundial-768x190.png 768w, https:\/\/www.auxsons.com\/wp-content\/uploads\/2019\/10\/logo-noir_mundial.png 930w\" data-sizes=\"(max-width: 166px) 100vw, 166px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 166px; --smush-placeholder-aspect-ratio: 166\/41;\"><\/a>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p><span class=\"dquo\">\u201c<\/span>Music is the only universal language, the only one that is understood and spoken in each of the 195 countries on this planet.\u201d Tomson Highway &nbsp; Few people on the other side of keechigamaak, \u201cthe big water\u201d as the Eeyou call the Atlantic Ocean, are aware of the Indigenous musical effervescence in the Francophone environment<\/p>\n","protected":false},"author":236,"featured_media":6229,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-6232","focus","type-focus","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Maku Music - #AuxSons<\/title>\n<meta name=\"description\" content=\"&quot;Music is the only universal language, the only one that is understood and spoken in each of the 195 countries on this planet.\u201d Tomson Highway &nbsp; 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