{"id":46812,"date":"2024-04-02T10:02:34","date_gmt":"2024-04-02T08:02:34","guid":{"rendered":"https:\/\/www.auxsons.com\/?post_type=focus&#038;p=46812"},"modified":"2024-04-04T11:41:58","modified_gmt":"2024-04-04T09:41:58","slug":"le-sens-de-la-fete-au-ghana-highlife-et-derives","status":"publish","type":"focus","link":"https:\/\/www.auxsons.com\/en\/focus\/le-sens-de-la-fete-au-ghana-highlife-et-derives\/","title":{"rendered":"Le sens de la f\u00eate au Ghana, highlife et d\u00e9riv\u00e9s"},"content":{"rendered":"<p>Le Ghana: Nana Ampadu <span class=\"amp\">&amp;<\/span> les African Brothers d\u2019Accra, Ebo Taylor, Koo Nimo, Gyedu-Blay Ambolley - le \u00ab&nbsp;James Brown du Ghana&nbsp;\u00bb au style <em>simigwa -<\/em> Pat Thomas <span class=\"amp\">&amp;<\/span> The Kwashibu Area Band, Orlando Julius <span class=\"amp\">&amp;<\/span> The Heliocentrics, K Frimpong\u2026 ce ne sont pas les ic\u00f4nes de l\u2019\u00e2ge d\u2019or du highlife qui manquent. Mais, la puissance de ce mouvement musical - pr\u00e9curseur de <strong><a href=\"https:\/\/www.auxsons.com\/focus\/lheritage-de-fela-kuti-son-role-dans-la-renommee-pop-croissante-de-lafrique-de-louest\/\" target=\"_blank\" rel=\"noopener\">l\u2019afrobeat nig\u00e9rian de Fela Kuti<\/a><\/strong> - ne se limite pas \u00e0 ses illustres figures ; elle se conjugue \u00e9galement au pr\u00e9sent gr\u00e2ce \u00e0 une rel\u00e8ve dont Santrofi, Afla Sackey <span class=\"amp\">&amp;<\/span> Afrik Bawantu et Ah!Kwantou se font les \u00e9loquents ambassadeurs. S\u2019emparant d\u2019un h\u00e9ritage, ils privil\u00e9gient l\u2019<em>odonso<\/em> - la version euphorique du highlife - en y ajoutant de nouvelles paroles.<\/p>\n<p>Simultan\u00e9ment, le Ghana s\u2019illustre par l\u2019explosion de l\u2019azonto (documentaire R\u00e9volution Fonko). Cette danse, n\u00e9e dans les faubourgs d\u2019Accra et proche du coup\u00e9-d\u00e9cal\u00e9 ivoirien, inonde les clubs de la capitale sur les sons de Medikal ou Sarkodie, rappeurs parmi les plus influents d\u2019Afrique. C\u2019est sans compter le hiplife de <strong><a href=\"https:\/\/www.auxsons.com\/playlists\/playlist-de-wanlov-the-kubolor\/\" target=\"_blank\" rel=\"noopener\">Fokn Bois<\/a><\/strong>, le frafra gospel de Florence Adooni, les fusions afrofuturistes d\u2019un K.O.G ou les cr\u00e9ations contemporaines au kologo - luth traditionnel \u00e0 deux cordes - de King Ayisoba ou d\u2019Alostmen. Si tant est que ce soit possible, tentons un tour d\u2019horizon de l\u2019effervescence \u00e0 la ghan\u00e9enne&nbsp;!<\/p>\n<iframe title=\"SANTROFI @ Deep into Highlife - Kesselhaus | LIVE FROM BERLIN\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/niKZ52gGG3M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<h4><strong>Highlife ou l\u2019art jubilatoire des hybridations<\/strong><\/h4>\n<p>Rock, jazz, funk, hip hop, soul, reggae, swing, disco, reggaeton, salsa, soukous, amapiano\u2026le Ghana, est le terrain par excellence de l\u2019hybridation musicale o\u00f9 les notion d\u2019Afrique et d\u2019Occident se dissolvent en moins de temps qu\u2019il ne faut pour le&nbsp;dire.<\/p>\n<p><strong><a href=\"https:\/\/www.auxsons.com\/playlists\/playlist-total-hip-replacement\/\" target=\"_blank\" rel=\"noopener\">Total Hip Replacement<\/a><\/strong> <span class=\"amp\">&amp;<\/span> Anyankofo - <em>Smoke And Mirrors&nbsp;<\/em><\/p>\n<iframe title=\"Total Hip Replacement &amp; Anyankofo - Smoke And Mirrors | Soul - Reggae - Highlife | Denmark - Ghana\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/vZeOLJyR0O8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>Premier \u00c9tat d\u2019Afrique subsaharienne \u00e0 conna\u00eetre l\u2019ind\u00e9pendance en 1957, le Ghana (anciennement baptis\u00e9 Gold Coast) est ind\u00e9fectiblement marqu\u00e9 par le highlife, m\u00e9lange de calypso carib\u00e9en, de musique afro-cubaine et de jazz Be-Bop, qui a accompagn\u00e9 son \u00e9mancipation, propuls\u00e9e par la trompette galvanisante d\u2019E.T. Mensah.<\/p>\n<p><strong>E.T. Mensah - <em>Ghana Freedom<\/em><\/strong><\/p>\n<iframe title=\"E T Mensah: 08 - Ghana Freedom\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/OUMbrs4aEsA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>Si les m\u00e9langes musicaux sont si importants au Ghana, c\u2019est que les circulations sont majeures entre ce pays - toujours membre du Commonwealth - et le monde. Que ce soient les soldats anglo-saxons qui fond\u00e8rent les premiers ballrooms afro-europ\u00e9ens sur le sol ghan\u00e9en ou les musiciens d\u2019Accra -&nbsp; port\u00e9s par la vague panafricaniste - qui all\u00e8rent se former \u00e0 Londres, le syncr\u00e9tisme est constant. La diaspora est, en effet, un des fils conducteur de l\u2019histoire du Ghana; une histoire tumultueuse mais qui privil\u00e9gia les croisements d\u2019influences. En attestent, d\u00e9j\u00e0 au XVII\u00e8me si\u00e8cle, l\u2019incorporation d\u2019\u00e9l\u00e9ments mandingues dans la <strong><a href=\"https:\/\/www.youtube.com\/watch?v=l6y2NRHwMqg\" target=\"_blank\" rel=\"noopener\">harpe-luth seperewa akan<\/a><\/strong>, celle des accord\u00e9ons des marins du Lib\u00e9ria dans la musique Fanti Osibisaaba des ann\u00e9es 30 ou encore le \u00ab&nbsp;burger highlife&nbsp;\u00bb. Ce dernier, n\u00e9 en Allemagne, version synth-pop\/boogie pr\u00f4n\u00e9e par George Darko, est devenu culte avec l\u2019afro-rock du groupe londonien Osibisa. L\u2019exil vers l\u2019Europe, dans les ann\u00e9es 80, \u00e9tait alors la meilleure option, face \u00e0 l\u2019embargo, pour continuer \u00e0 \u00eatre musicien.<\/p>\n<p><strong>Osibisa - <em>Sunshine Day<\/em><\/strong><\/p>\n<iframe title=\"OSIBISA - SUNSHINE DAY (1976)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/O_xtTI3Ssps?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>Repr\u00e9sentant davantage une matrice de cr\u00e9ation qu\u2019un h\u00e9ritage, au genre imperm\u00e9able et \u00e0 l\u2019instrumentarium bien d\u00e9fini, le highlife est bel et bien un \u00e9tat d\u2019esprit. Sur des litanies entra\u00eenantes, s\u2019applique le principe du d\u00e9cloisonnement, du jeu subversif. Face \u00e0 l\u2019adversit\u00e9 - coups d\u2019\u00e9tat militaires, couvre-feux \u00e0 r\u00e9p\u00e9tition, pr\u00e9carit\u00e9 - le rythme haletant de la joie et les pulsations de optimisme l\u2019emportent.<\/p>\n<p>Du panafricanisme \u00e0 l\u2019afrofuturisme, il n\u2019y a qu\u2019un pas. On ne compte plus les artistes ghan\u00e9ens qui actualisent leur idiosyncrasie musicale sous le sceau d\u2019une m\u00eame fr\u00e9n\u00e9sie syncop\u00e9e. C\u2019est le \u00ab&nbsp;new highlife&nbsp;\u00bb, toujours plus \u00e9clectique. Citons le \u00ab&nbsp;roi&nbsp;\u00bb&nbsp;du Ghana K.O.G., leader de The Zongo Brigade et d\u2019<strong><a href=\"https:\/\/www.youtube.com\/watch?v=dDFd2aEH_OI&amp;t=130s\" target=\"_blank\" rel=\"noopener\"><span class=\"caps\">ONIPA<\/span><\/a><\/strong>, la performeuse exp\u00e9rimentale <strong><a href=\"https:\/\/www.youtube.com\/watch?v=Tr1KqDFv5rg\" target=\"_blank\" rel=\"noopener\">Jojo Abot<\/a><\/strong>, la techno-soul-free jazz d\u2019ELi A Free, l\u2019afro-roots de<strong><a href=\"https:\/\/www.youtube.com\/watch?v=NgLIpBfiFeI&amp;t=263s\" target=\"_blank\" rel=\"noopener\"> Rocky Dawuni<\/a><\/strong>&nbsp;ou la diva montante de l\u2019afro-pop Wiyaala\u2026tous ont en commun de d\u00e9brider les imaginaires tant visuels que sonores.<\/p>\n<p><strong>Wiyaala -<em> Yaga Yaga (Plenty Plenty)<\/em><\/strong><\/p>\n<iframe title=\"Wiyaala - Yaga Yaga (Plenty Plenty)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/qY3OX9NG-i8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<h4><\/h4>\n<h4><strong>De l\u2019\u00e9glise au club, en passant par la place du march\u00e9 et le palm wine&nbsp;bar<\/strong><\/h4>\n<p>Kumasi, le berceau du highlife, l\u2019a vu na\u00eetre comme divertissement r\u00e9serv\u00e9 aux \u00e9lites. Jou\u00e9 pour le roi, \u00e0 l\u2019occasion des grands \u00e9v\u00e9nements, seuls les riches avaient le droit de l\u2019\u00e9couter. Pens\u00e9 ensuite comme la musique savante sous sa forme orchestrale, le highlife contient n\u00e9anmoins une version premi\u00e8re plus populaire : le jeu de guitare palmwine (\u00e0 deux doigts) -&nbsp; \u00ab&nbsp;la musique du vin de palme&nbsp;\u00bb ou blues rural - popularis\u00e9e par Kwabena Nyama. Accompagn\u00e9e par le penpensiwa, lamellophone g\u00e9ant, et de percussions rudimentaires telles que le kunkun - deux bo\u00eetes de conserve frott\u00e9es l\u2019une contre l\u2019autre -, une fourchette ou une pi\u00e8ce de monnaie frapp\u00e9es contre une bouteille de bi\u00e8re, cette musique acoustique, bricol\u00e9e, narre et rythme le quotidien \u00e0 coups d\u2019ostinato, l\u2019aur\u00e9olant de po\u00e9sie sur des th\u00e8mes universels (bonheur, maladie, amour, mort).<\/p>\n<p><strong>The <span class=\"caps\">KYF<\/span>! Invitational -<em> Kyekyeku<\/em><\/strong><\/p>\n<iframe title=\"The KYF! Invitational - Kyekyeku\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/uggMHo90O5U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>Un autre genre musical et vocal, issu cette fois des campagnes du nord-est du Ghana - du pays frafra - est symbolis\u00e9 par le kologo, l\u2019anc\u00eatre pr\u00e9sum\u00e9 du banjo. \u00c0 l\u2019origine instrument du barde solitaire, il est popularis\u00e9 par les stars King Ayisoba, Ayuune Sule, Guy One et le label hollandais Makkum Records (compilation This is Kologo Power) puis le label anglais Strut Records. Aujourd\u2019hui \u00e9lectrifi\u00e9 au moyen de boucles analogiques, il occupe encore une place importante dans les c\u00e9r\u00e9monies collectives de Bolgatanga (capitale de la r\u00e9gion) telles que mariages et fun\u00e9railles - o\u00f9, \u00e0 c\u00f4t\u00e9 des sound systems, rivalisent les joueurs de kologo et de fl\u00fbte lou\u00e9s pour l\u2019occasion - ou dans les bars lors de la confection de la bi\u00e8re traditionnelle pito\u2026Compos\u00e9 de m\u00e9lodies hypnotiques, r\u00e9p\u00e9titives et jou\u00e9 sur des rythmes percussifs tr\u00e8s rapides, le kologo sert, par excellence, la catharsis de la transe.<\/p>\n<iframe title=\"Kologo Power: in Bongo klinkt akoestisch luid genoeg\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/2zT-aGTrIzE?start=437&amp;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<div id=\"below\" class=\"style-scope ytd-watch-flexy\">\n<div id=\"above-the-fold\" class=\"style-scope ytd-watch-metadata\">\n<div id=\"title\" class=\"style-scope ytd-watch-metadata\">\n<p>&nbsp;<\/p>\n<p class=\"style-scope ytd-watch-metadata\"><strong>Alostmen feat. Wanlov The Kubolor - <em>Kologo<\/em><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<iframe title=\"Alostmen feat. Wanlov The Kubolor - Kologo\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/fVUvxNu0EQI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>Le frafra gospel - avec ses gammes pentatoniques - continue, lui aussi, de servir la ferveur religieuse de la communaut\u00e9 \u00e0 la messe du dimanche tout en s\u2019exportant dans les clubs internationaux gr\u00e2ce \u00e0 la version digitale produite par le beat-maker Francis Ayamga dans son populaire studio Top Link. Curateur de la compilation This is Frafra Power, il a notamment fait conna\u00eetre la puissante voix du chef de choeur <strong><a href=\"https:\/\/www.youtube.com\/watch?v=jO6ShaoZReg\" target=\"_blank\" rel=\"noopener\">Linda Ayupuka<\/a><\/strong>. Autres exemples : Alogte Oho <span class=\"amp\">&amp;<\/span> His Sounds of Joy - propuls\u00e9 par le label berlinois Philophon et encens\u00e9 par Gilles Peterson - et Florence Adooni qui m\u00e9lange highlife et frafra gospel.<\/p>\n<div id=\"below\" class=\"style-scope ytd-watch-flexy\">\n<div id=\"limited-state\" class=\"attached-message style-scope ytd-watch-flexy\"><\/div>\n<div id=\"above-the-fold\" class=\"style-scope ytd-watch-metadata\">\n<div id=\"title\" class=\"style-scope ytd-watch-metadata\">\n<p class=\"style-scope ytd-watch-metadata\"><strong>Alogte Oho <span class=\"amp\">&amp;<\/span> His Sounds Of Joy - <em>Mam Yinne&nbsp;Wa&nbsp;<\/em><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<iframe title=\"Alogte Oho &amp; His Sounds Of Joy - Mam Yinne Wa (original video)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/YdIvasx8CrE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Convoqu\u00e9 lors des \u00ab&nbsp;concert parties&nbsp;\u00bb, le highlife d\u00e9mocratis\u00e9 \u00e9tait mis au service de la satire th\u00e9\u00e2trale des tensions politiques travers\u00e9es par le pays, avant et apr\u00e8s l\u2019ind\u00e9pendance. C\u2019est dans ce sillon que s\u2019inscrivent bon nombre d\u2019artistes ghan\u00e9ens aujourd\u2019hui avec pour mot d\u2019ordre: l\u2019engagement. Qu\u2019elle prenne les atours du rap caustique de Fokn Bois, militant pour les droits <span class=\"caps\">LGBTQI<\/span>+ - dans un pays qui sanctionne p\u00e9nalement l\u2019homosexualit\u00e9 - de leur homologue songwriter Agorvey, de l\u2019afro-dancehall de Stonebwoy ou de l\u2019afrobeat au f\u00e9minin des Lipstick Queens, la musique au Ghana reste intimement associ\u00e9e \u00e0 la c\u00e9l\u00e9bration de la diff\u00e9rence.<\/p>\n<div id=\"title\" class=\"style-scope ytd-watch-metadata\">\n<p class=\"style-scope ytd-watch-metadata\"><strong>Agorvey - <em>Pletu<\/em><\/strong><\/p>\n<\/div>\n<iframe title=\"Agorvey - Pletu\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/78NVKz-LM30?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<div id=\"title\">\n<p><strong>Lipstick Queens - <em>Maria<\/em><\/strong><\/p>\n<\/div>\n<iframe title=\"Lipstick Queens interpr\u00e8tent &quot;Maria&quot;\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/OgdnoZIU7PA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>Gr\u00e2ce \u00e0 la puissance de la voix, le corps transcrit la r\u00e9alit\u00e9 dans laquelle il est embarqu\u00e9 afin de contrer le d\u00e9senchantement. C\u2019est la m\u00eame ambition, la m\u00eame r\u00e9volte, qu\u2019on retrouve dans les banlieues d\u2019Accra ou de Kumasi chez les jeunes d\u2019Asakaa boys, Yaw Tog, Jay Bahd, Kwaku <span class=\"caps\">DMC<\/span> et leur drill ghan\u00e9enne en dialecte twi - d\u00e9riv\u00e9e du rap am\u00e9ricain et du grime londonien. La rencontre entre la trap et le highlife: Santrofi l\u2019a fait en invitant Yaw Tog sur le titre <em>Sei Mu<\/em>.<\/p>\n<div id=\"below\" class=\"style-scope ytd-watch-flexy\">\n<div id=\"above-the-fold\" class=\"style-scope ytd-watch-metadata\">\n<div id=\"title\" class=\"style-scope ytd-watch-metadata\">\n<p class=\"style-scope ytd-watch-metadata\"><strong>Medikal - <em>Accra<\/em><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<iframe title=\"Medikal - Accra (Music Video)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ijQSuqQQSGo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Ghana: Nana Ampadu <span class=\"amp\">&amp;<\/span> les African Brothers d\u2019Accra, Ebo Taylor, Koo Nimo, Gyedu-Blay Ambolley - le \u00ab&nbsp;James Brown du Ghana&nbsp;\u00bb au style simigwa - Pat Thomas <span class=\"amp\">&amp;<\/span> The Kwashibu Area Band, Orlando Julius <span class=\"amp\">&amp;<\/span> The Heliocentrics, K Frimpong\u2026 ce ne sont pas les ic\u00f4nes de l\u2019\u00e2ge d\u2019or du highlife qui manquent. Mais, la puissance<\/p>\n","protected":false},"author":606,"featured_media":46813,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-46812","focus","type-focus","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le sens de la f\u00eate au Ghana, highlife et d\u00e9riv\u00e9s - #AuxSons<\/title>\n<meta name=\"description\" content=\"Le Ghana: Nana Ampadu &amp; les African Brothers d\u2019Accra, Ebo Taylor, Koo Nimo, Gyedu-Blay Ambolley - le \u00ab\u00a0James Brown du Ghana\u00a0\u00bb au style simigwa - Pat\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.auxsons.com\/en\/focus\/le-sens-de-la-fete-au-ghana-highlife-et-derives\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le sens de la f\u00eate au Ghana, highlife et d\u00e9riv\u00e9s - #AuxSons\" \/>\n<meta property=\"og:description\" content=\"Le Ghana: Nana Ampadu &amp; 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