{"id":29552,"date":"2023-03-06T12:25:41","date_gmt":"2023-03-06T11:25:41","guid":{"rendered":"https:\/\/www.auxsons.com\/?post_type=focus&#038;p=29552"},"modified":"2023-03-06T13:10:57","modified_gmt":"2023-03-06T12:10:57","slug":"musique-fuji-50-ans-de-street-credibility-au-nigeria","status":"publish","type":"focus","link":"https:\/\/www.auxsons.com\/en\/focus\/musique-fuji-50-ans-de-street-credibility-au-nigeria\/","title":{"rendered":"Musique Fuji : 50 ans de street credibility au Nigeria"},"content":{"rendered":"<p>Le son du Lagos Yoruba n\u2019a cess\u00e9 de se r\u00e9g\u00e9n\u00e9rer depuis son \u00e2ge d\u2019or du milieu des ann\u00e9es 70. Tirant ses racines de la culture islamique, le style s\u2019est s\u00e9cularis\u00e9, et influence la nouvelle <strong><a href=\"https:\/\/www.auxsons.com\/focus\/afrobeats-mefiez-vous-du-s\/\" target=\"_blank\" rel=\"noopener\">sc\u00e8ne afrobeats<\/a><\/strong>. Tout en continuant \u00e0 sonoriser les quartiers les plus populeux de la m\u00e9gapole nig\u00e9riane. Tour de&nbsp;piste.<\/p>\n<p>Taye Currency, Saheed Osupa, Ks 1 Malaika, mais aussi la reine du Fuji, Yeye Eniba, et son roi autoproclam\u00e9 depuis 1993 :&nbsp; Wasiu Ayinde, alias <span class=\"caps\">K1<\/span> the Ultimate, alias Kwam 1, 50 ans de carri\u00e8re\u2026<\/p>\n<div id=\"title\" class=\"style-scope ytd-watch-metadata\">\n<p class=\"style-scope ytd-watch-metadata\"><strong>King Wasiu Ayinde Marshall\u2019s 50 Years On Stage - <em>The Journey (Part 1)<\/em>&nbsp;<\/strong><\/p>\n<\/div>\n<iframe title=\"The Journey (Part 1) - King Wasiu Ayinde Marshall's 50 Years On Stage\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/-qv9Q915jWY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>En cette fin de d\u00e9cembre 2002, le parc Muri Okunola de Lagos, au Nigeria, accueille le troisi\u00e8me troisi\u00e8me festival <a href=\"https:\/\/www.instagram.com\/explore\/tags\/fujivibrations\" target=\"_blank\" rel=\"noopener\">Fuji Vibrations.<\/a> Le gratin du Fuman, l\u2019association des musiciens Fuji du Nigeria, pr\u00e9sid\u00e9 actuellement par l\u2019artiste <span class=\"caps\">SK<\/span> Sensation, est dans la place. Sur sc\u00e8ne, tenants du courant orthodoxe - invocations coraniques, guitares et envols de percussions gangan et sakara - alternent avec les nouveaux espoirs, dont un gamin de dix ans, Kid Agba Awo, et un duo de <span class=\"caps\">DJ<\/span> masqu\u00e9s, Maze Mxtreme, qui mixe <span class=\"caps\">EDM<\/span>, afro-pop et Fuji\u2026 Pendant ce temps, dans la salle, les liasses de nairas d\u00e9ploy\u00e9es pour doucher les musiciens sont de sortie : quand il s\u2019agit de manifester son plaisir, on ne le fait pas \u00e0 moiti\u00e9 dans le monde du Fuji\u2026Surtout lorsqu\u2019on tient \u00e0 afficher son appartenance a \u00e0 l\u2019\u00e9lite Yoruba. Les ic\u00f4nes de la musique Fuji figurent parmi les artistes les plus fortun\u00e9s du Nigeria.<\/p>\n<p>La Fuji est l\u2019une des musiques signature de l\u2019un des trois principaux groupes ethniques du pays le plus peupl\u00e9 du continent. Mais c\u2019est aussi l\u2019un des styles africains parmi les plus m\u00e9connus et m\u00e9sestim\u00e9, au del\u00e0 des fronti\u00e8res du Nigeria. Ses artistes ont beau tourner parmi la plus vaste diaspora noire du monde, la bande son des quartiers populaires d\u2019Eko, Lagos en Yoruba, n\u2019a jamais perc\u00e9 \u00e0 l\u2019international, exception une incursion sur des territoires dub datant de\u2026.1997.<\/p>\n<p><strong>Fuji Dr. Ewon, Adewale Ayuba - <em>Fuji Dub <\/em><\/strong><\/p>\n<iframe title=\"Fuji Dr. Ewon (Mix)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/zALS-XyjtX8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p><span class=\"dquo\">\u00ab<\/span>&nbsp;<em>Le succ\u00e8s du festival Fuji Vibrations est pourtant une incontestable preuve du renouvellement et de la vivacit\u00e9 de cette musique&nbsp;<\/em>\u00bb constate le journaliste Jahman Anikulapo Oladejo, figure de la sc\u00e8ne culturelle de Lagos. \u00ab&nbsp;<em>Contrairement \u00e0 la <strong><a href=\"https:\/\/www.auxsons.com\/breves\/60-ans-dindependances-en-musique-nigeria-igbo-highlife-juju-music-et-apala\/\" target=\"_blank\" rel=\"noopener\">Juju Music<\/a><\/strong>, qui est aujourd\u2019hui pass\u00e9e de mode chez les Yoruba<\/em> \u00bb, poursuit-il :\u00ab <em>la Fuji est toujours aussi populaire dans les rues, les march\u00e9s mais aussi chez <span class=\"caps\">VIP<\/span> de Lagos.<\/em> \u00bb Particuli\u00e8rement chez les \u00ab <em>Ogas at the top<\/em> \u00bb, politiques, hommes d\u2019affaires du secteur priv\u00e9 et parrains de l\u2019\u00e9conomie informelle. Le notoire Musuliu Akinsanya, alias <span class=\"caps\">MC<\/span> Oluomo, est ainsi un important m\u00e9c\u00e8ne de la sc\u00e8ne. Natif du populeux quartier d\u2019Oshodi, cet ancien a<em>gbero<\/em>, ou <em>area boy<\/em> (<em>jeune d\u00e9muni<\/em>), s\u2019est d\u2019abord \u00e9lev\u00e9 au poste pr\u00e9sident de la branche locale de la puissante association nig\u00e9riane des travailleurs du transport routier, avant d\u2019\u00eatre nomm\u00e9, en 2022, \u00e0 la t\u00eate d\u2019une autre machine \u00e0 cash : l\u2019organisme d\u2019Etat charg\u00e9 de superviser la centaine de parkings et gares routi\u00e8res de la ville qui ne dort jamais.<\/p>\n<div id=\"title\">\n<p><strong>Wasiu Alabi Pasuma - <em>Hommage \u00e0 Mc Oluomo<\/em><\/strong><\/p>\n<\/div>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=vpzrekcA53U\">https:\/\/\u200bwww\u200b.youtube\u200b.com\/\u200bw\u200ba\u200bt\u200bc\u200bh\u200b?\u200bv\u200b=\u200bv\u200bp\u200bz\u200br\u200be\u200bk\u200bc\u200bA\u200b53U<\/a><\/p>\n<div id=\"title\" class=\"style-scope ytd-watch-metadata\">\n<p>&nbsp;<\/p>\n<p class=\"style-scope ytd-watch-metadata\">La Fuji est au pays l\u2019objet de querelles acad\u00e9miques\u2026 D\u2019abord sur l\u2019\u00e9tymologie du mot. Le style, qui s\u2019est affranchi des musique Apala et rythmes Were qui marquaient le d\u00e9but de la journ\u00e9e de jeune du ramadan, a une double origine : le Mont Fuji, influence popularis\u00e9e par feu Alhaji Sikiru Ayinde Barrister (1948-2010), mais \u00e9galement le mot Yoruba, <em>Faaji<\/em>, soit litt\u00e9ralement<em> la f\u00eate<\/em>. De m\u00eame, si cette musique est associ\u00e9e aux bouillonnants quartiers lagotiens de Mushin ou d\u2019Isiolo, elle est n\u00e9e 140 km \u00e0 l\u2019int\u00e9rieur des terres, \u00e0 Ibadan, selon les recherches du professeur nig\u00e9rian <strong><a href=\"https:\/\/www.saheedaderinto.com\" target=\"_blank\" rel=\"noopener\">Saheed Aderinto<\/a><\/strong>, qui s\u2019appr\u00eate \u00e0 boucler cette ann\u00e9e un documentaire sur l\u2019histoire de la&nbsp;Fuji.<\/p>\n<p class=\"style-scope ytd-watch-metadata\"><strong>Alhaji (Dr.) Sikiru Ayinde Barrister - <em>Prophecy<\/em><\/strong><\/p>\n<\/div>\n<iframe title=\"Alhaji (Dr.) Sikiru Ayinde Barrister - Prophecy\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/1NyfmP_u79Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>M\u00e9tropole historique du monde Yoruba, Ibadan fut entre autre la ville native du d\u00e9funt chanteur de Were, Alhaji Dauda Eco Akara (1943-2005) qui eut une influence marquante sur la premi\u00e8re vague de musiciens lagotiens.<\/p>\n<div id=\"title\" class=\"style-scope ytd-watch-metadata\">\n<p class=\"style-scope ytd-watch-metadata\"><strong>Alhj. Dauda Epo Akara - <em>Koko D\u2019owo<\/em><\/strong><\/p>\n<\/div>\n<iframe title=\"Alhj. DAUDA EPO AKARA  - Koko D'owo\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/x6KCn7E5g-M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>Durant les ann\u00e9es 70, souligne Saheed Aderinto, l\u2019\u00e9lite Yoruba pr\u00e9f\u00e9rerait s\u2019afficher avec des artistes de la sc\u00e8ne Juju plut\u00f4t que celle du Fuji, associ\u00e9e au prol\u00e9tariat illettr\u00e9 et musulman de Lagos, tels que les rabatteurs des gares routi\u00e8res. \u00ab <em>Mais \u00e0 cette \u00e9poque<\/em> \u00bb, poursuit le chercheur : \u00ab <em>l\u2019irruption d\u2019Ayinde Barrister a permis de transformer cette musique en un genre cosmopolite et syncr\u00e9tique commen\u00e7ant \u00e0 attirer la client\u00e8le <span class=\"caps\">VIP<\/span><\/em> \u00bb. Alors que les r\u00e9gimes militaires se succ\u00e8dent durant les ann\u00e9es 80, les paroles vivent aussi leur aggiornamento : finies les seules valeurs morales, Ayinde Barrister sera le premier \u00e0 multiplier dans son \u00ab <em>Fuji garbage<\/em> \u00bb sous-entendus sociaux et politiques, tout en l\u2019ouvrant au reggae et disco. La fin du XXe si\u00e8cle nig\u00e9rian sera marqu\u00e9e par sa rivalit\u00e9 cr\u00e9ative avec Festus Adedayo Kollington, alias General Ayinla Kollington, en \u00e9cho \u00e0 celle qui opposera ult\u00e9rieurement, de l\u2019autre cot\u00e9 de l\u2019Atlantique, 2pac \u00e0 Biggie Smalls.<\/p>\n<p><strong>General Ayinla Kollington&nbsp;<\/strong><\/p>\n<iframe title=\"General Kollinton Ayinla Energetic Performance, Thrill Lagos CP Akeem Odumosu\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/m-VfKxoBUwU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>La l\u00e9gende raconte qu\u2019au tournant du XXIe si\u00e8cle, Kollington avait parmi ses fans un jeune homme nomm\u00e9 Bola Tinubu, futur gouverneur de Lagos entre 1999 et 2007, et \u00e9lu, le mois dernier, \u00e0 la t\u00eate de la f\u00e9d\u00e9ration nig\u00e9riane. Dans la capitale \u00e9conomique du Nigeria, le candidat du parti au pouvoir, le <span class=\"caps\">PDP<\/span>, aura pu compter sur <strong><a href=\"https:\/\/www.facebook.com\/watch\/?v=934437081149032\" target=\"_blank\" rel=\"noopener\">le soutien sans faille de la sc\u00e8ne Fuji<\/a><\/strong>.. m\u00eame si sa jeunesse prisant les Afrobeats aura plac\u00e9 le challenger <strong><a href=\"https:\/\/www.auxsons.com\/focus\/au-nigeria-les-beaux-restes-du-highlife\/\" target=\"_blank\" rel=\"noopener\">Peter Obi<\/a><\/strong> en t\u00eate des votes dans l\u2019Etat\u2026<\/p>\n<p>&nbsp;<\/p>\n<p>Ces vingt derni\u00e8res ann\u00e9es, le style s\u2019est s\u00e9cularis\u00e9, dans la lign\u00e9e du d\u00e9funt musicien catholique Sonny T, surnomm\u00e9 en Yoruba (omo nna to\u2019n ko fuji), le \u00ab <em>Igbo qui joue de la Fuji<\/em> \u00bb. Gr\u00e2ce \u00e0 Kwam 1, mais \u00e9galement Wasiu Alabi Odetola, alias Pasuma Wonder, et Abass Akande Obesere, il s\u2019est ouvert \u00e0 la scansion hip-hop et au nouveaux argots urbains. Il semble d\u00e9sormais \u00eatre \u00e0 l\u2019\u00e8re d\u2019une nouvelle mutation.<\/p>\n<p><strong>Sonny T - <em>I Come from Mushin Medley&nbsp;<\/em><\/strong><\/p>\n<iframe title=\"I Come from Mushin Medley\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/rF4RZRvmm8E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p class=\"style-scope ytd-watch-metadata\"><strong>Abass Akande Obesere - <em>Skoro<\/em><\/strong><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=Dq-wfagJA88\">https:\/\/\u200bwww\u200b.youtube\u200b.com\/\u200bw\u200ba\u200bt\u200bc\u200bh\u200b?\u200bv\u200b=\u200bD\u200bq\u200b-\u200bw\u200bf\u200ba\u200bg\u200bJ\u200bA88<\/a><\/p>\n<p>Pendant que le v\u00e9t\u00e9ran Fuji Wasiu Alabi Odetola, alias Pasuma, se met \u00e0 l\u2019amapiano, ses petits enfants Afrobeats retournent aux sources :&nbsp; dans la lign\u00e9e du pionnier 9nice et de son morceau <em>Gongo Aso,<\/em> les jeunes artistes urbains Yoruba multiplient les emprunts aux m\u00e9lop\u00e9es et tournoures linguistiques des chanteurs de Fuji : Habeeb Okikiola, alias Portable, Onolyide Azeez aka Zinoleesky, Farebanks ou Barry Jay, qui n\u2019est autre que le fils d\u2019Ayinde Barrister.<\/p>\n<p class=\"style-scope ytd-watch-metadata\"><strong>Pasuma - <em>Collect<\/em><\/strong><\/p>\n<iframe title=\"Pasuma - Collect (Official Video)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/RpM_iYV0pKk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<div id=\"title\" class=\"style-scope ytd-watch-metadata\">\n<p class=\"style-scope ytd-watch-metadata\"><strong>9ice - <em>Gongo Aso<\/em><\/strong><\/p>\n<\/div>\n<iframe title=\"9ice - Gongo Aso\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/z5u6eYq-UtA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<div id=\"title\" class=\"style-scope ytd-watch-metadata\">\n<p class=\"style-scope ytd-watch-metadata\"><strong>Portable - <em>Pastor No Want Go Heaven<\/em><\/strong><\/p>\n<\/div>\n<iframe title=\"Portable ( Pastor No Want Go Heaven)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/idLwH7b4fzI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<div id=\"title\" class=\"style-scope ytd-watch-metadata\">\n<p class=\"style-scope ytd-watch-metadata\"><strong>S High, Zinoleesky, Victony - <em>Hypnotize (Visualizer)<\/em><\/strong><\/p>\n<\/div>\n<iframe title=\"S High, Zinoleesky, Victony - Hypnotize (Visualizer)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/evqzTbx0Slw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p class=\"style-scope ytd-watch-metadata\"><strong>Barry Jhay - <em>Ashe She<\/em><\/strong><\/p>\n<iframe title=\"Barry Jhay - ASHE SHE (OFFICIAL VIDEO)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/8HTNWO4BF18?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>Ahmed Ololade, alias Asake, 28 ans, originaire de l\u2019Etat de Lagos, pass\u00e9 par des \u00e9tudes d\u2019art dramatique \u00e0 l\u2019Universit\u00e9 d\u2019Ife, le berceau du monde Yoruba, est l\u2019un des artistes revendiquant le plus ouvertement une \u00ab attitude Fuji \u00bb. Cette street credibility a port\u00e9 son premier <span class=\"caps\">LP<\/span> <em>Mr Money With The Vibe<\/em>, marquant les noces de l\u2019<strong><a href=\"https:\/\/www.auxsons.com\/focus\/afrique-du-sud-amapiano-la-dance-music-du-covid\/\" target=\"_blank\" rel=\"noopener\">Amapiano<\/a><\/strong> et des <strong><a href=\"https:\/\/www.auxsons.com\/focus\/afrobeats-mefiez-vous-du-s\/\" target=\"_blank\" rel=\"noopener\">Afrobeats<\/a><\/strong>, au sommet des palmar\u00e8s nig\u00e9rians de 2022. Le morceau Nzaza, par exemple, et sa mani\u00e8re plaintive de d\u00e9rouler le dur quotidien et les espoirs des jeunes lagotiens, d\u2019ojuelegba \u00e0 Ikate, aurait pu tr\u00e8s bien \u00eatre interpr\u00e9t\u00e9 par un parrain de la&nbsp;Fuji.<\/p>\n<div id=\"title\" class=\"style-scope ytd-watch-metadata\">\n<p class=\"style-scope ytd-watch-metadata\"><strong>Asake - <em>Nzaza&nbsp;<\/em><\/strong><\/p>\n<\/div>\n<iframe title=\"Asake - Nzaza (Official Video Edit)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/9D5_fkfsIzA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le son du Lagos Yoruba n\u2019a cess\u00e9 de se r\u00e9g\u00e9n\u00e9rer depuis son \u00e2ge d\u2019or du milieu des ann\u00e9es 70. Tirant ses racines de la culture islamique, le style s\u2019est s\u00e9cularis\u00e9, et influence la nouvelle sc\u00e8ne afrobeats. Tout en continuant \u00e0 sonoriser les quartiers les plus populeux de la m\u00e9gapole nig\u00e9riane. Tour de&nbsp;piste. Taye Currency, Saheed<\/p>\n","protected":false},"author":271,"featured_media":29562,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-29552","focus","type-focus","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Musique Fuji : 50 ans de street credibility au Nigeria - #AuxSons<\/title>\n<meta name=\"description\" content=\"Le son du Lagos Yoruba n\u2019a cess\u00e9 de se r\u00e9g\u00e9n\u00e9rer depuis son \u00e2ge d\u2019or du milieu des ann\u00e9es 70. Tirant ses racines de la culture islamique, le style s\u2019est\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.auxsons.com\/en\/focus\/musique-fuji-50-ans-de-street-credibility-au-nigeria\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Musique Fuji : 50 ans de street credibility au Nigeria - #AuxSons\" \/>\n<meta property=\"og:description\" content=\"Le son du Lagos Yoruba n\u2019a cess\u00e9 de se r\u00e9g\u00e9n\u00e9rer depuis son \u00e2ge d\u2019or du milieu des ann\u00e9es 70. Tirant ses racines de la culture islamique, le style s\u2019est\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.auxsons.com\/en\/focus\/musique-fuji-50-ans-de-street-credibility-au-nigeria\/\" \/>\n<meta property=\"og:site_name\" content=\"#AuxSons\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/auxsons\/\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-06T12:10:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.auxsons.com\/wp-content\/uploads\/2023\/03\/capture-decran-2023-03-06-a-122255.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1410\" \/>\n\t<meta property=\"og:image:height\" content=\"736\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@auxsons\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.auxsons.com\\\/en\\\/focus\\\/musique-fuji-50-ans-de-street-credibility-au-nigeria\\\/\",\"url\":\"https:\\\/\\\/www.auxsons.com\\\/en\\\/focus\\\/musique-fuji-50-ans-de-street-credibility-au-nigeria\\\/\",\"name\":\"Musique Fuji : 50 ans de street credibility au Nigeria - #AuxSons\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.auxsons.com\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.auxsons.com\\\/en\\\/focus\\\/musique-fuji-50-ans-de-street-credibility-au-nigeria\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.auxsons.com\\\/en\\\/focus\\\/musique-fuji-50-ans-de-street-credibility-au-nigeria\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.auxsons.com\\\/wp-content\\\/uploads\\\/2023\\\/03\\\/capture-decran-2023-03-06-a-122255.png\",\"datePublished\":\"2023-03-06T11:25:41+00:00\",\"dateModified\":\"2023-03-06T12:10:57+00:00\",\"description\":\"Le son du Lagos Yoruba n\u2019a cess\u00e9 de se r\u00e9g\u00e9n\u00e9rer depuis son \u00e2ge d\u2019or du milieu des ann\u00e9es 70. Tirant ses racines de la culture islamique, le style s\u2019est\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.auxsons.com\\\/en\\\/focus\\\/musique-fuji-50-ans-de-street-credibility-au-nigeria\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.auxsons.com\\\/en\\\/focus\\\/musique-fuji-50-ans-de-street-credibility-au-nigeria\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.auxsons.com\\\/en\\\/focus\\\/musique-fuji-50-ans-de-street-credibility-au-nigeria\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.auxsons.com\\\/wp-content\\\/uploads\\\/2023\\\/03\\\/capture-decran-2023-03-06-a-122255.png\",\"contentUrl\":\"https:\\\/\\\/www.auxsons.com\\\/wp-content\\\/uploads\\\/2023\\\/03\\\/capture-decran-2023-03-06-a-122255.png\",\"width\":1410,\"height\":736,\"caption\":\"Barry Jhay - clip d'Ashe She - droits r\u00e9serv\u00e9s\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.auxsons.com\\\/en\\\/focus\\\/musique-fuji-50-ans-de-street-credibility-au-nigeria\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.auxsons.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Focus\",\"item\":\"https:\\\/\\\/www.auxsons.com\\\/en\\\/focus\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Musique Fuji : 50 ans de street credibility au Nigeria\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.auxsons.com\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.auxsons.com\\\/en\\\/\",\"name\":\"#AuxSons\",\"description\":\"Musiques &amp; Vibrations du Monde\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.auxsons.com\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.auxsons.com\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.auxsons.com\\\/en\\\/#organization\",\"name\":\"#AuxSons\",\"url\":\"https:\\\/\\\/www.auxsons.com\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.auxsons.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.auxsons.com\\\/wp-content\\\/uploads\\\/2018\\\/10\\\/logo-aux-sons@2x.png\",\"contentUrl\":\"https:\\\/\\\/www.auxsons.com\\\/wp-content\\\/uploads\\\/2018\\\/10\\\/logo-aux-sons@2x.png\",\"width\":320,\"height\":192,\"caption\":\"#AuxSons\"},\"image\":{\"@id\":\"https:\\\/\\\/www.auxsons.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/auxsons\\\/\",\"https:\\\/\\\/x.com\\\/auxsons\",\"https:\\\/\\\/www.instagram.com\\\/auxsons\\\/\",\"https:\\\/\\\/www.youtube.com\\\/channel\\\/UC_NjOjgZNHW-6MaXKWavFKQ\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Musique Fuji : 50 ans de street credibility au Nigeria - #AuxSons","description":"Le son du Lagos Yoruba n\u2019a cess\u00e9 de se r\u00e9g\u00e9n\u00e9rer depuis son \u00e2ge d\u2019or du milieu des ann\u00e9es 70. Tirant ses racines de la culture islamique, le style s\u2019est","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.auxsons.com\/en\/focus\/musique-fuji-50-ans-de-street-credibility-au-nigeria\/","og_locale":"en_US","og_type":"article","og_title":"Musique Fuji : 50 ans de street credibility au Nigeria - #AuxSons","og_description":"Le son du Lagos Yoruba n\u2019a cess\u00e9 de se r\u00e9g\u00e9n\u00e9rer depuis son \u00e2ge d\u2019or du milieu des ann\u00e9es 70. Tirant ses racines de la culture islamique, le style s\u2019est","og_url":"https:\/\/www.auxsons.com\/en\/focus\/musique-fuji-50-ans-de-street-credibility-au-nigeria\/","og_site_name":"#AuxSons","article_publisher":"https:\/\/www.facebook.com\/auxsons\/","article_modified_time":"2023-03-06T12:10:57+00:00","og_image":[{"width":1410,"height":736,"url":"https:\/\/www.auxsons.com\/wp-content\/uploads\/2023\/03\/capture-decran-2023-03-06-a-122255.png","type":"image\/png"}],"twitter_card":"summary_large_image","twitter_site":"@auxsons","twitter_misc":{"Est. reading time":"7 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.auxsons.com\/en\/focus\/musique-fuji-50-ans-de-street-credibility-au-nigeria\/","url":"https:\/\/www.auxsons.com\/en\/focus\/musique-fuji-50-ans-de-street-credibility-au-nigeria\/","name":"Musique Fuji : 50 ans de street credibility au Nigeria - #AuxSons","isPartOf":{"@id":"https:\/\/www.auxsons.com\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.auxsons.com\/en\/focus\/musique-fuji-50-ans-de-street-credibility-au-nigeria\/#primaryimage"},"image":{"@id":"https:\/\/www.auxsons.com\/en\/focus\/musique-fuji-50-ans-de-street-credibility-au-nigeria\/#primaryimage"},"thumbnailUrl":"https:\/\/www.auxsons.com\/wp-content\/uploads\/2023\/03\/capture-decran-2023-03-06-a-122255.png","datePublished":"2023-03-06T11:25:41+00:00","dateModified":"2023-03-06T12:10:57+00:00","description":"Le son du Lagos Yoruba n\u2019a cess\u00e9 de se r\u00e9g\u00e9n\u00e9rer depuis son \u00e2ge d\u2019or du milieu des ann\u00e9es 70. Tirant ses racines de la culture islamique, le style s\u2019est","breadcrumb":{"@id":"https:\/\/www.auxsons.com\/en\/focus\/musique-fuji-50-ans-de-street-credibility-au-nigeria\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.auxsons.com\/en\/focus\/musique-fuji-50-ans-de-street-credibility-au-nigeria\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.auxsons.com\/en\/focus\/musique-fuji-50-ans-de-street-credibility-au-nigeria\/#primaryimage","url":"https:\/\/www.auxsons.com\/wp-content\/uploads\/2023\/03\/capture-decran-2023-03-06-a-122255.png","contentUrl":"https:\/\/www.auxsons.com\/wp-content\/uploads\/2023\/03\/capture-decran-2023-03-06-a-122255.png","width":1410,"height":736,"caption":"Barry Jhay - clip d'Ashe She - droits r\u00e9serv\u00e9s"},{"@type":"BreadcrumbList","@id":"https:\/\/www.auxsons.com\/en\/focus\/musique-fuji-50-ans-de-street-credibility-au-nigeria\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.auxsons.com\/en\/"},{"@type":"ListItem","position":2,"name":"Focus","item":"https:\/\/www.auxsons.com\/en\/focus\/"},{"@type":"ListItem","position":3,"name":"Musique Fuji : 50 ans de street credibility au Nigeria"}]},{"@type":"WebSite","@id":"https:\/\/www.auxsons.com\/en\/#website","url":"https:\/\/www.auxsons.com\/en\/","name":"#AuxSons","description":"Musiques &amp; Vibrations du Monde","publisher":{"@id":"https:\/\/www.auxsons.com\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.auxsons.com\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.auxsons.com\/en\/#organization","name":"#AuxSons","url":"https:\/\/www.auxsons.com\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.auxsons.com\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.auxsons.com\/wp-content\/uploads\/2018\/10\/logo-aux-sons@2x.png","contentUrl":"https:\/\/www.auxsons.com\/wp-content\/uploads\/2018\/10\/logo-aux-sons@2x.png","width":320,"height":192,"caption":"#AuxSons"},"image":{"@id":"https:\/\/www.auxsons.com\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/auxsons\/","https:\/\/x.com\/auxsons","https:\/\/www.instagram.com\/auxsons\/","https:\/\/www.youtube.com\/channel\/UC_NjOjgZNHW-6MaXKWavFKQ"]}]}},"_links":{"self":[{"href":"https:\/\/www.auxsons.com\/en\/wp-json\/wp\/v2\/focus\/29552","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.auxsons.com\/en\/wp-json\/wp\/v2\/focus"}],"about":[{"href":"https:\/\/www.auxsons.com\/en\/wp-json\/wp\/v2\/types\/focus"}],"author":[{"embeddable":true,"href":"https:\/\/www.auxsons.com\/en\/wp-json\/wp\/v2\/users\/271"}],"version-history":[{"count":0,"href":"https:\/\/www.auxsons.com\/en\/wp-json\/wp\/v2\/focus\/29552\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.auxsons.com\/en\/wp-json\/wp\/v2\/media\/29562"}],"wp:attachment":[{"href":"https:\/\/www.auxsons.com\/en\/wp-json\/wp\/v2\/media?parent=29552"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}