{"id":24807,"date":"2022-09-08T15:17:05","date_gmt":"2022-09-08T13:17:05","guid":{"rendered":"https:\/\/www.auxsons.com\/?post_type=focus&#038;p=24807"},"modified":"2022-09-13T10:40:42","modified_gmt":"2022-09-13T08:40:42","slug":"israeliens-juifs-arabes-70-ans-de-musiques-mizrahies","status":"publish","type":"focus","link":"https:\/\/www.auxsons.com\/en\/focus\/israeliens-juifs-arabes-70-ans-de-musiques-mizrahies\/","title":{"rendered":"Isra\u00e9liens, Juifs, Arabes : 70 ans de musiques mizrahies"},"content":{"rendered":"<p>Depuis sa cr\u00e9ation en 1948, l\u2019\u00c9tat d\u2019Isra\u00ebl se targue d\u2019abriter en son sein une soci\u00e9t\u00e9 multiculturelle. Or, dans sa dimension uniquement juive \u2014 sans compter donc les Palestiniens de 48, et en faisant abstraction de l\u2019occupation militaire en Cisjordanie et dans la Bande de Gaza \u2014, la culture dominante a longtemps exclu les communaut\u00e9s s\u00e9farades ou mizrahies (\u00ab&nbsp;orientales&nbsp;\u00bb en h\u00e9breu) originaires du monde arabo-berb\u00e8re. En cause, la culture et la langue de ces immigr\u00e9s trop proches de l\u2019ennemi arabe alors que les instances officielles de ce jeune pays en formation regardent plut\u00f4t du c\u00f4t\u00e9 de la r\u00e9cente histoire europ\u00e9enne et des communaut\u00e9s ashk\u00e9nazes.<\/p>\n<p>Trop juive pour \u00eatre arabe, trop arabe pour \u00eatre juive, la premi\u00e8re g\u00e9n\u00e9ration de musiciens mizrahis arriv\u00e9e en Isra\u00ebl au d\u00e9but des ann\u00e9es 1950, hant\u00e9e par le d\u00e9racinement, la pr\u00e9carit\u00e9, voire la marginalisation, maintient un rapport nostalgique avec sa culture d\u2019origine tout en rechignant \u00e0 la transmettre \u00e0 ses enfants. Le d\u00e9classement est souvent violent pour ceux qui passent de coqueluches dans leur pays d\u2019origine \u00e0 migrants sans le sou dans les camps de transit (ma\u2019abarot) de leur nouveau pays d\u2019accueil : Souad Zaki (\u00c9gypte) fait le m\u00e9nage dans une banque de Tel Aviv tandis que les fr\u00e8res Daoud et Saleh Koweiti (Irak) tiennent une petite \u00e9picerie de fortune \u00e0 Hatikva, un quartier populaire de la capitale. Mises \u00e0 part des participations ponctuelles avec Zuzu Mussa, ancien violoniste de Mohammed Abdelwahab, sur le service en arabe de Radio Kol Israel (initialement rencontr\u00e9 avec Ezra Aharon, musicien irakien \u00e9tabli en Isra\u00ebl en 1935, lors du Congr\u00e8s de musique arabe du Caire en 1932), les stars d\u2019hier arrondissent leurs fins de mois en animant les mariages et f\u00eates familiales.<\/p>\n<p><strong>Raymonde Abdecassis - <em>Atiuni El&nbsp;Kass<\/em><\/strong><\/p>\n<iframe title=\"\u05e8\u05d9\u05d9\u05de\u05d5\u05e0\u05d3 - \u05e2\u05d8\u05d9\u05d5\u05d5\u05e0\u05d9 \u05d0\u05dc\u05db\u05d0\u05e1 -  -  Raymonde - Atiuni El Kass\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/kE8GVCwY8M8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>Le rapport au pays d\u2019origine d\u00e9pend des relations existant entre Isra\u00ebl et ce dernier : si la rupture est totale pour les Isra\u00e9liens irakiens et y\u00e9m\u00e9nites, les artistes d\u2019ascendance marocaine maintiennent un lien actif avec le royaume ch\u00e9rifien. En t\u00e9moigne Raymonde Abecassis \u05e8\u05d9\u05d9\u05de\u05d5\u05e0\u05d3 \u05d0\u05d1\u05e7\u05e1\u05d9\u05e1, renomm\u00e9e <a href=\"http:\/\/www.youtube.com\/watch?v=ASrzkovcTF0\" target=\"_blank\" rel=\"noopener\">Raymonde El Bidaouia<\/a> (Raymonde la Casablancaise) d\u2019apr\u00e8s sa ville natale. Arriv\u00e9e enfant en Isra\u00ebl, elle y commence sa carri\u00e8re tout en acqu\u00e9rant une popularit\u00e9 durable dans son pays d\u2019origine.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Bracha Cohen - <em>Ah Shmetri<\/em><\/strong><\/p>\n<iframe title=\"\u05d1\u05e8\u05db\u05d4 \u05db\u05d4\u05df \u05e2\u05d5\u05d1\u05d3\u05d9\u05d4   \u05d9\u05d0 \u05e9\u05de\u05d8\u05e8\u05d9  \u0628\u0631\u0627\u062e\u0627 \u0643\u0648\u0647\u064a\u0646\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/VpQg5-v3Qr4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>Il faut attendre n\u00e9anmoins le milieu des ann\u00e9es 1960 et la com\u00e9die <em>Sallah Shabati <\/em>de Menahem Golan et Ephraim Kishon pour que la figure de l\u2019immigr\u00e9 mizrahi fasse partie int\u00e9grante de l\u2019identit\u00e9 isra\u00e9lienne. Une visibilit\u00e9 et une int\u00e9gration facilit\u00e9es par l\u2019apparition de la cassette audio la d\u00e9cennie suivante qui permet \u2014 ici comme ailleurs \u2014 \u00e0 des communaut\u00e9s \u00e9conomiquement et culturellement marginalis\u00e9es de distribuer leur r\u00e9pertoire. V\u00e9ritable sous-culture, la musique mizrahie sort ainsi d\u2019un cadre strictement communautaire et informel et les premi\u00e8res captations de concerts se vendent comme des petits pains dans les ma\u2019abarot. D\u2019adjectif, mizrahi devient alors un genre \u00e0 part enti\u00e8re \u00e0 l\u2019intersection de la pop alors en vogue en Occident et de sensibilit\u00e9s musicales originaires du Maghreb, du Moyen-Orient mais aussi de Turquie et de&nbsp;Gr\u00e8ce.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Shlomo Mizrahi -<em> Tnu Li Derech<\/em><\/strong><\/p>\n<iframe title=\"\u05e9\u05dc\u05de\u05d4 \u05de\u05d6\u05e8\u05d7\u05d9 - \u05ea\u05e0\u05d5 \u05dc\u05d9 \u05d3\u05e8\u05da\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/vWLB5nrIUgM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>Incarn\u00e9 par de nombreux artistes (Shlomo Mizrahi \u05e9\u05dc\u05de\u05d4 \u05de\u05d6\u05e8\u05d7\u05d9, <a href=\"https:\/\/www.youtube.com\/watch?v=pftMWb3Ah4M\" target=\"_blank\" rel=\"noopener\">Nessim Seroussi <\/a>\u05e0\u05d9\u05e1\u05d9\u05dd \u05e1\u05e8\u05d5\u05e1\u05d9, Samir Shukry \u05e1\u05de\u05d9\u05e8 \u05e9\u05d5\u05e7\u05e8\u05d9), notamment d\u2019origine grecque ou turque (<a href=\"https:\/\/www.youtube.com\/watch?v=JyjGJ-ki_Yg\" target=\"_blank\" rel=\"noopener\">Grazia<\/a> \u05d2\u05e8\u05e6\u05d9\u05d4, <a href=\"https:\/\/www.youtube.com\/watch?v=7Lb7NJ2CI1U\" target=\"_blank\" rel=\"noopener\">Ari San<\/a> \u05d0\u05e8\u05d9\u05e1 \u05e1\u05d0\u05df, <a href=\"https:\/\/www.youtube.com\/watch?v=9T24uqqdcME\" target=\"_blank\" rel=\"noopener\">Nino Nikolaidis<\/a> \u05e0\u05d9\u05e0\u05d5 \u05e0\u05d9\u05e7\u05d5\u05dc\u05d0\u05d9\u05d3\u05d9\u05e1) et surtout y\u00e9m\u00e9nite (<a href=\"http:\/\/www.apple.com\/fr\/\" target=\"_blank\" rel=\"noopener\">Jacky Mekaiten\u2019n<\/a> \u05d2\u05f3\u05e7\u05d9 \u05de\u05e7\u05d9\u05d9\u05d8\u05df, <a href=\"http:\/\/www.youtube.com\/watch?v=wvQlMT9H2jU\" target=\"_blank\" rel=\"noopener\">Uriel Shlomi<\/a> \u05d0\u05d5\u05e8\u05d9\u05d0\u05dc \u05e9\u05dc\u05d5\u05de\u05d9, <a href=\"http:\/\/www.youtube.com\/watch?v=xkXvBi3dG2s\" target=\"_blank\" rel=\"noopener\">Margalit Tzan\u2019ani<\/a> \u05de\u05e8\u05d2\u05dc\u05d9\u05ea \u05e6\u05e0\u05e2\u05e0\u05d9, Bracha Cohen Ovadia \u05d1\u05e8\u05db\u05d4 \u05db\u05d4\u05df \u05e2\u05d5\u05d1\u05d3\u05d9\u05d4, Moshe Giat \u05de\u05e9\u05d4 \u05d2\u05d9\u05d0\u05ea, Chaim Moshe \u05d7\u05d9\u05d9\u05dd \u05de\u05e9\u05d4 Zohar Argov \u05d6\u05d5\u05d4\u05e8 \u05d0\u05e8\u05d2\u05d5\u05d1), le mizrahi est multiforme et polyglotte (h\u00e9breu, arabe, turc) par essence.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Moshe Giat - <em>Yema Yema<\/em><\/strong><\/p>\n<iframe title=\"\u05de\u05e9\u05d4 \u05d2\u05d9\u05d0\u05ea - \u05d9\u05d5\u05de\u05d4 \u05d9\u05d5\u05de\u05d4 \/ Moshe Giat - Yuma Yuma\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/_injVSKQqyo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>Ainsi, nombreux sont les artistes mizrahis qui versent \u00e9galement du c\u00f4t\u00e9 du rock tandis que d\u2019autres privil\u00e9gient un r\u00e9pertoire plus oriental. Surnomm\u00e9 \u00ab&nbsp;le roi du mizrahi&nbsp;\u00bb avant de d\u00e9c\u00e9der \u00e0 32 ans en prison dans des circonstances troubles, Zohar Argov passe d\u2019un genre \u00e0 l\u2019autre. Exempt\u00e9 de service militaire et n\u2019ayant par cons\u00e9quent pas servi sous le drapeau isra\u00e9lien, il est peut-\u00eatre le chanteur mizrahi le plus respect\u00e9 en Palestine.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Zohar Argov - <em>Lahla Yizid&nbsp;Aqtar<\/em><\/strong><\/p>\n<iframe title=\"Zohar Argov- Lahla Yizid Aqtar\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/MBzMoweiDw4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>Port\u00e9 par la deuxi\u00e8me g\u00e9n\u00e9ration \u2013 la premi\u00e8re \u00e0 avoir grandi en Isra\u00ebl&nbsp;\u2013 d\u2019Isra\u00e9liens juifs arabes, le mizrahi trace le chemin d\u2019une timide reconnaissance des cultures juives arabes aupr\u00e8s du grand public isra\u00e9lien, ne serait-ce que par leur visibilit\u00e9, qui culmine avec la popularit\u00e9 d\u2019<a href=\"http:\/\/www.youtube.com\/watch?v=Ajjo7Y3Fcng\" target=\"_blank\" rel=\"noopener\">Ofra Haza<\/a> \u05e2\u05e4\u05e8\u05d4 \u05d7\u05d6\u05d4. Premi\u00e8re v\u00e9ritable star de vari\u00e9t\u00e9 isra\u00e9lienne connue dans le monde entier, elle compte parmi ses trente albums deux opus consacr\u00e9s \u00e0 son pays d\u2019origine (<em>Yemenite Songs<\/em> en 1985 et <em>Yemenite Love<\/em> en&nbsp;1988).<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Zehava Ben -<em> Ah Habibi<\/em><\/strong><\/p>\n<iframe title=\"Zehava Ben - Ya Habibi\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/UYkYr_4MPgI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>Tr\u00e8s populaire dans sa forme originelle jusqu\u2019aux ann\u00e9es 1990 avec notamment la chanteuse d\u2019origine marocaine Zehava Ben \u05d6\u05d4\u05d1\u05d4 \u05d1\u05df, le mizrahi \u2014 dont s\u2019est empar\u00e9 par ailleurs la <span class=\"caps\">DJ<\/span> franco-tuniso-grecque Sarah Perez (aka <a href=\"https:\/\/soundcloud.com\/sharouh\" target=\"_blank\" rel=\"noopener\">Sharouh<\/a>) \u2014 ouvre la voie \u00e0 une troisi\u00e8me g\u00e9n\u00e9ration d\u2019artistes qui revendiquent encore davantage la composante arabe de leur identit\u00e9, par le biais notamment d\u2019un recours plus syst\u00e9matique \u00e0 l\u2019arabe dialectal et de reprises du r\u00e9pertoire traditionnel de leur pays d\u2019origine comme <a href=\"https:\/\/www.youtube.com\/watch?v=g3bjZlmsb4A\" target=\"_blank\" rel=\"noopener\">A-WA<\/a> et <a href=\"https:\/\/www.youtube.com\/watch?v=H-k37Kbnov0\" target=\"_blank\" rel=\"noopener\">Yemen Blues<\/a> (Y\u00e9men), Dudu Tassa <span class=\"amp\">&amp;<\/span> the Kuwaitis (Irak), <a href=\"https:\/\/www.youtube.com\/watch?v=DeA7fxNROOw\" target=\"_blank\" rel=\"noopener\">Neta Elkayam<\/a> (Maroc, par ailleurs active aupr\u00e8s du <a href=\"https:\/\/www.youtube.com\/watch?v=REuZwPilel8\" target=\"_blank\" rel=\"noopener\">Jerusalem Orchestra E<span class=\"amp\">&amp;<\/span>W<\/a>), Riff Cohen (Alg\u00e9rie\/Tunisie)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Riff Cohen - <em>Elekha<\/em><\/strong><\/p>\n<iframe title=\"Riff Cohen - Elecha (Music Video)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/DvaMz8ldA_4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>Aujourd\u2019hui, la pop mizrahi en tant que telle est un genre typiquement isra\u00e9lien interpr\u00e9t\u00e9 en h\u00e9breu. Les influences orientales et maghr\u00e9bines sont toujours pr\u00e9sentes (quand il ne s\u2019agit pas tout bonnement de reprises comme \u00ab&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=Jg3CqN1jl_g\" target=\"_blank\" rel=\"noopener\">Ya Habaybi Ya Ghaybeen<\/a>&nbsp;\u00bb et \u00ab&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=aQCh5hoqwpE\" target=\"_blank\" rel=\"noopener\">Hebeena Hebeena<\/a>&nbsp;\u00bb de Farid Al Atrache par le groupe <a href=\"https:\/\/www.youtube.com\/watch?v=mDhmKrW4F6Y\" target=\"_blank\" rel=\"noopener\">Alabina<\/a>, \u00ab&nbsp;Do You Love Me&nbsp;\u00bb de la Bendaly Family par <a href=\"http:\/\/www.youtube.com\/watch?v=0D2yjGvcOCE\" target=\"_blank\" rel=\"noopener\">Sarit Hadad<\/a>, ou encore \u00ab&nbsp;C\u2019est la vie&nbsp;\u00bb de Cheb Khaled par <a href=\"http:\/\/www.youtube.com\/watch?v=w-Y_5brDUSM\" target=\"_blank\" rel=\"noopener\">Gad Elbaz<\/a>) mais participent d\u2019un univers h\u00e9t\u00e9roclite qui penchent autant du c\u00f4t\u00e9 de la M\u00e9diterran\u00e9e que de l\u2019Am\u00e9rique latine, port\u00e9 par des artistes comme <a href=\"http:\/\/www.youtube.com\/watch?v=6DnLm4aqgz8\" target=\"_blank\" rel=\"noopener\">Hanan Ben Ari<\/a>, <a href=\"http:\/\/www.youtube.com\/watch?v=d60H5D9GefE\" target=\"_blank\" rel=\"noopener\">Omer Adam ou Eden Ben Zaken<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Static and Ben El - <\/strong><em><strong>Silsulim<\/strong><\/em><\/p>\n<iframe title=\"Static and Ben El - Silsulim (Produced by Jordi) | \u05e1\u05d8\u05d8\u05d9\u05e7 \u05d5\u05d1\u05df \u05d0\u05dc \u05ea\u05d1\u05d5\u05e8\u05d9 - \u05e1\u05dc\u05e1\u05d5\u05dc\u05d9\u05dd (Prod. by Jordi)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/94BIxqTYJzU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>L\u2019expression d\u2019une composante culturelle interne arabe (et berb\u00e8re dans une moindre mesure) par les artistes et le grand public isra\u00e9lien, totalement l\u00e9gitime chez les communaut\u00e9s mizrahies, est salutaire alors que les identit\u00e9s se r\u00e9tr\u00e9cissent et se crispent. Cependant, elle intervient dans un contexte plus g\u00e9n\u00e9ral d\u2019incarnation par Isra\u00ebl de la culture proche-orientale et sud-m\u00e9diterran\u00e9enne, au d\u00e9triment de ses voisins. Un effort de contextualisation et de vigilance est ainsi \u00e0 faire pour \u00e9viter que cette prise de conscience se fasse, volontairement ou non, au d\u00e9triment de la culture palestinienne, et ce notamment \u00e0 l\u2019\u00e9tranger.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Depuis sa cr\u00e9ation en 1948, l\u2019\u00c9tat d\u2019Isra\u00ebl se targue d\u2019abriter en son sein une soci\u00e9t\u00e9 multiculturelle. Or, dans sa dimension uniquement juive \u2014 sans compter donc les Palestiniens de 48, et en faisant abstraction de l\u2019occupation militaire en Cisjordanie et dans la Bande de Gaza \u2014, la culture dominante a longtemps exclu les communaut\u00e9s s\u00e9farades<\/p>\n","protected":false},"author":271,"featured_media":24812,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-24807","focus","type-focus","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Isra\u00e9liens, Juifs, Arabes : 70 ans de musiques mizrahies - #AuxSons<\/title>\n<meta name=\"description\" content=\"Depuis sa cr\u00e9ation en 1948, l\u2019\u00c9tat d\u2019Isra\u00ebl se targue d\u2019abriter en son sein une soci\u00e9t\u00e9 multiculturelle. 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