{"id":23881,"date":"2022-06-28T13:00:12","date_gmt":"2022-06-28T11:00:12","guid":{"rendered":"https:\/\/www.auxsons.com\/?post_type=focus&#038;p=23881"},"modified":"2022-07-04T14:36:28","modified_gmt":"2022-07-04T12:36:28","slug":"les-scenes-baltes-au-soleil-devoile-de-la-liberte","status":"publish","type":"focus","link":"https:\/\/www.auxsons.com\/en\/focus\/les-scenes-baltes-au-soleil-devoile-de-la-liberte\/","title":{"rendered":"Les sc\u00e8nes baltes au soleil d\u00e9voil\u00e9 de la libert\u00e9 #1 - Des rites mystiques pa\u00efens au mouvement post-folk"},"content":{"rendered":"<p>Estonie, Lettonie et Lituanie, trois pays que la mappemonde rapproche. Mais au-del\u00e0 des &nbsp;fronti\u00e8res et d\u2019une lib\u00e9ration sovi\u00e9tique commune, quelles sont les musiques qui f\u00e9d\u00e8rent ou &nbsp;distinguent ces trois territoires&nbsp;?<\/p>\n<p><strong>\u00c9pisode 1: <\/strong><strong>Des rites mystiques pa\u00efens au mouvement post-folk&nbsp;<\/strong><\/p>\n<p><strong>Cosmogonies et revival folk&nbsp;<\/strong><\/p>\n<p>Le r\u00e9pertoire oral des traditions populaires baltes fut d\u00e9couvert au cours du 19\u00e8me si\u00e8cle (d\u00e8s le &nbsp;17\u00e8me en Lettonie) et collect\u00e9 par les pr\u00eatres et hommes de science. Mais, il faudra attendre les &nbsp;ann\u00e9es 1960 voire1980 (en Lettonie) pour que la soci\u00e9t\u00e9 s\u2019y int\u00e9resse de nouveau. D\u2019un c\u00f4t\u00e9, h\u00e9ritage issu de chroniques historiques, enqu\u00eates de terrain et enregistrements dans les &nbsp;villages recul\u00e9s, de l\u2019autre, pure reconstruction id\u00e9ologique du r\u00e9gime sovi\u00e9tique et instrument de &nbsp;contr\u00f4le, le folklore divise. Ainsi, depuis cinquante ans, l\u2019ensemble <em>folkdance <\/em>Lietuva diffuse sur &nbsp;les sc\u00e8nes du monde une version kitsch, spectaculaire et fig\u00e9e du folkore lituanien (costumes, &nbsp;tempos rapides,).Or, avant l\u2019occupation, l\u2019envoi de &nbsp;l\u2019intelligentsia en Sib\u00e9rie et la propagande \u00ab fakelore \u00bb ou \u00ab folkish \u00bb relay\u00e9e par les shows \u00e0 la <span class=\"caps\">TV<\/span> &nbsp;(musikos kapela ), toutes les familles \u00e9taient habitu\u00e9es \u00e0 jouer, &nbsp;apprendre aux enfants diff\u00e9rents instruments, danser, chanter, \u00e0 l\u2019occasion de f\u00eates ou lors des &nbsp;longues soir\u00e9es d\u2019hiver.<\/p>\n<p class=\"style-scope ytd-watch-metadata\"><strong>Ventin\u0117 polka \/ Ansamblio - <em>Lietuva<\/em><\/strong><\/p>\n<iframe title=\"\u0160ventin\u0117 polka \/ Ansamblio &quot;Lietuva&quot; jubiliejinis koncertas\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/5rITfHiog_Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p class=\"style-scope ytd-watch-metadata\"><strong>Liaudi\u0161kos muzikos kapela -<em> Vakare po&nbsp;uosiu<\/em><\/strong><\/p>\n<iframe title=\"Liaudi\u0161kos muzikos kapela &quot;Punel\u0117&quot; - &quot;Vakare po uosiu&quot;. LRT laida &quot;Duokim garo&quot;.\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/jjeEmMCVLig?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>Pratiqu\u00e9 par des ensembles amateurs ou relay\u00e9, au sein d\u2019une contre-culture, dans des <em>cultural <\/em><em>&nbsp;houses, camps <\/em>ou festivals ritualis\u00e9s (festival interbaltique Baltica ou Viljandi Folk Festival, le plus &nbsp;grand festival des pays baltes), un folklore plus \u00ab authentique \u00bb a su maintenir sa place - renforc\u00e9 &nbsp;par des institutions telles que la Viljandi Culture Academy en Estonie.<\/p>\n<p>La Lituanie fut le dernier pays, en Europe, \u00e0 \u00eatre converti au christianisme (1387) et, encore &nbsp;aujourd\u2019hui, le culte n\u00e9o-pa\u00efen Romuva (sanctuaire) exerce une vive influence dans le pays. La c\u00e9l\u00e9bration des cycles organiques de la vie (naissance, mariage, mort) rattach\u00e9e \u00e0 celle des &nbsp;saisons et activit\u00e9s calendaires (solstices, \u00e9quinoxes, transhumance, moisson, r\u00e9colte du miel\u2026) &nbsp;justifie ces chants. Les chants collectifs, majoritairement chant\u00e9s par des femmes, pouvaient \u00eatre &nbsp;pratiqu\u00e9s dans le foyer -pendant des activit\u00e9s manuelles: couture, tissage de la laine- lors de rites de &nbsp;passage sous la forme de jeux - pour se mettre en couple, se moquer de la famille du mari\u00e9 ou &nbsp;accompagner le d\u00e9funt - ou encore lors de l\u2019exultation du carnaval au solstice d\u2019hiver o\u00f9 changer &nbsp;d\u2019apparence revenait \u00e0 r\u00e9p\u00e9ter le chaos de la cr\u00e9ation du&nbsp;monde.<\/p>\n<p>&nbsp;<\/p>\n<img decoding=\"async\" class=\"wp-image-23884 aligncenter lazyload\" data-src=\"http:\/\/www.auxsons.com\/wp-content\/uploads\/2022\/06\/capture-decran-2022-06-27-a-082258-300x200.png\" alt width=\"519\" height=\"346\" data-srcset=\"https:\/\/www.auxsons.com\/wp-content\/uploads\/2022\/06\/capture-decran-2022-06-27-a-082258-300x200.png 300w, https:\/\/www.auxsons.com\/wp-content\/uploads\/2022\/06\/capture-decran-2022-06-27-a-082258-1024x681.png 1024w, https:\/\/www.auxsons.com\/wp-content\/uploads\/2022\/06\/capture-decran-2022-06-27-a-082258-768x511.png 768w, https:\/\/www.auxsons.com\/wp-content\/uploads\/2022\/06\/capture-decran-2022-06-27-a-082258.png 1350w\" data-sizes=\"(max-width: 519px) 100vw, 519px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 519px; --smush-placeholder-aspect-ratio: 519\/346;\">\n<p>Inscrites au <span class=\"caps\">PCI<\/span> de l\u2019<span class=\"caps\">UNESCO<\/span> en 2010, les polyphonies rituelles f\u00e9minines <em>sutartines <\/em>du nord de la &nbsp;Lituanie ont des airs de transe tacite avec leur r\u00e9citation syncop\u00e9e, atonalit\u00e9, choeur antiphonique et &nbsp;m\u00e9lodies sans ornementation. Et pourtant, l\u2019ethnomusicologue Daiva Vyciniene et son ensemble &nbsp;Trys Keturiose ont relev\u00e9 le d\u00e9fi de faire de ce chant sacr\u00e9 s\u00e9culaire un spectacle; pour preuve la&nbsp; cr\u00e9ation <em>Ancestors <\/em>avec le violoniste Abraham Brody pr\u00e9sent\u00e9e au Barbican Centre. Au-del\u00e0 de ces&nbsp; sc\u00e8nes prestigieuses, l\u2019ensemble se produit dans des \u00e9glises, fermes et usines. Les chanteuses&nbsp; d\u00e9ambulent alors dans l\u2019espace afin de gommer la fronti\u00e8re, traditionnellement inexistante, avec le&nbsp; public, et accordent une place \u00e0 l\u2019improvisation.<\/p>\n<div><span lang=\"EN-US\"><span lang=\"EN-US\"><strong>Trys Keturiose <span class=\"amp\">&amp;<\/span> Abraham Brody<\/strong> -<\/span><\/span><strong><em>Tu, pucine raudonasai<\/em><\/strong><\/div>\n<div><\/div>\n<div>\n<iframe title=\"\u201eTrys keturiose\u201c &amp; Abraham Brody \u2013 Tu, pucine raudonasai (Petro Zalansko daina)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/-G-WvvCglZc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<p>&nbsp;<\/p>\n<p>Veronika Povilioniene a, elle, contribu\u00e9 \u00e0 faire conna\u00eetre la beaut\u00e9 hypnotisante des chants &nbsp;monodiques a capella de Dzukija au sud de la Lituanie, r\u00e9gion la plus riche en story-telling - dont &nbsp;l\u2019ancien nom Dainava vient du mot daina (chant).<\/p>\n<p>Les c\u00e9l\u00e9brations calendaires se retrouvent \u00e9galement dans les chants runiques estoniens ou les rites&nbsp; solaires (<em>ligotnes) <\/em>de Lettonie. La course du soleil - sous les traits d\u2019une femme - symbolisait celle&nbsp; de la vie humaine. Au-del\u00e0 de la narration des jeux amoureux des dieux, ces chants propitiatoires &nbsp;s\u2019assuraient avant tout d\u2019attirer les faveurs c\u00e9lestes quant \u00e0 la fertilit\u00e9 des terres ou la f\u00e9condit\u00e9 d\u2019un &nbsp;mariage.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Rasa - &nbsp;<em>Ziedi rudz\u0131&nbsp;sam?<\/em><\/strong><\/p>\n<iframe title=\"MCMix#4  LETTONIE \u2013 Ensemble Rasa - Chant de solstice d\u2019\u00e9t\u00e9 &quot;ziedi rudz\u0131 sam?&quot;\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/fJwjooCwo0g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p><strong>Les cithares du neo-folk&nbsp;<\/strong><\/p>\n<p>Malgr\u00e9 leurs diff\u00e9rences de facture, le kankles, le kokles (litt\u00e9ralement \u00ab arbre chantant \u00bb) et le&nbsp; kannel, consid\u00e9r\u00e9s respectivement comme les plus vieux instruments \u00e0 cordes de la Lituanie, de la&nbsp; Lettonie et de l\u2019Estonie, \u00e9taient tous trois suppos\u00e9s prot\u00e9ger les musiciens, leurs maisons et leurs&nbsp; familles de la mort, de la maladie et des accidents. La croyance indiquait que du kankles, fabriqu\u00e9&nbsp; en forme de bateau, sortait le plus beau son lorsque la mort d\u2019une personne survenait. \u00c0 l\u2019origine,&nbsp; r\u00e9serv\u00e9s aux hommes tout comme le byrbine ou la vielle \u00e0 roue,&nbsp;ils sont aujourd\u2019hui r\u00e9investis par les femmes: en Lettonie&nbsp; Laima Jansone ; en Lituanie Kristina Kupryte et Indre Jurgeleviciute - fondatrice du groupe&nbsp; Merope, ouverte aux horizons \u00e0 cordes de la kora ou de la mbira - et en Estonie Mari Kalkun et le&nbsp; Duo Ruut - o\u00f9 Ann-Lisett Rebane et Katariina Kivi font le pari de la synchronicit\u00e9 sur un seul&nbsp; kannel.<\/p>\n<p class=\"style-scope ytd-watch-metadata\"><strong>Saulius Petreikis <span class=\"amp\">&amp;<\/span> Gediminas \u017dilys -&nbsp;<\/strong><em><strong>Eisva mudu<\/strong><\/em><\/p>\n<iframe title=\"Lithuanian Folk song - Eisva mudu by Saulius Petreikis &amp; Gediminas \u017dilys \/ Baltic Vikings\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/vUPniInLJtM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\"><em><em><strong>Duo Ruut-&nbsp;<\/strong><\/em><\/em><em><strong>Nightingale<\/strong><\/em><\/div>\n<div><\/div>\n<div class=\"column\">\n<iframe title=\"Duo Ruut - Nightingale\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/UR3HVWJWEX8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p>Sensiblement unis sous la banni\u00e8re de la v\u00e9n\u00e9ration de la nature, les pays baltes ont en commun un &nbsp;paysage romantique fait de for\u00eats denses aux longilignes arbres, de dunes de sable, d\u2019\u00eeles et isthmes &nbsp;morcel\u00e9s. De cette harmonie myst\u00e9rieuse, de cette atmosph\u00e8re onirique jaillissent des &nbsp;inspirations musicales aur\u00e9ol\u00e9es de profondeur et de respect.<\/p>\n<p>Jouer, chanter serait ici une mani\u00e8re intime de respirer, d\u2019exorciser une douce m\u00e9lancolie et de&nbsp; raconter, avec tendresse et sagesse, la vie humaine, ses traces, les reflets de ses \u00e9v\u00e8nements. Bon&nbsp; nombre de chants lituaniens, de berceuses, tr\u00e8s proches de formes po\u00e9tiques (notamment de la&nbsp; sobri\u00e9t\u00e9 des haiku), contiennent des diminutifs ou incantent de douces onomatop\u00e9es \u00e9vocatrices :&nbsp; <em>lylio lelijo <\/em>(lys), <em>ruto\/a <\/em>(l\u2019herbe de gr\u00e2ce, symbole national associ\u00e9 \u00e0 la virginit\u00e9 - repr\u00e9sent\u00e9e, en&nbsp; Lettonie, par une couronne de perles). Dans l\u2019\u00e9coulement tranquille de la rivi\u00e8re, le flocon de neige&nbsp; ou le cheval dans son pr\u00e9, la magie contemplative est partout. Le chant \u00e9l\u00e9giaque au lyrisme&nbsp; contenu est l\u00e0 pour la r\u00e9v\u00e9ler en m\u00eame temps qu\u2019il constitue, selon l\u2019historien des religions pa\u00efennes&nbsp; Gintaras Beresnevicius, un mantra m\u00e9ditatif permettant d\u2019\u00e9lever son niveau de conscience: \u00ab a stair&nbsp; for gods to climb into your skull and look through your pupils\u00bb, une mani\u00e8re de se purifier pour&nbsp; mieux se laisser traverser, dispara\u00eetre au monde et divulguer le message universel du chant. Sons&nbsp; \u00e9th\u00e9r\u00e9s et m\u00e9lodies diatoniques cr\u00e9ent ainsi une autre temporalit\u00e9; sous leurs airs afflig\u00e9s, ils&nbsp; adoucissent la frayeur, le d\u00e9chirement de l\u2019attente et subliment l\u2019angoisse du&nbsp;vide.<\/p>\n<p>&nbsp;<\/p>\n<p class=\"style-scope ytd-watch-metadata\"><strong>Merope - <em>Bitin\u0117lis<\/em><\/strong><\/p>\n<iframe title=\"Merope - Bitin\u0117lis\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/WL9wYcpYwYw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p><strong>Folk-rock et post-folk<\/strong><\/p>\n<p>Ceux qui ont permis de sauver les musiques et instruments traditionnels jusqu\u2019au 20\u00e8me si\u00e8cle sont&nbsp; les bergers \u00e0 l\u2019\u00e9coute des oiseaux et de la nature environnante. Aujourd\u2019hui, ces bardes sont&nbsp; remplac\u00e9s par des po\u00e8tes songwriters, proches de la \u2018freak folk\u2019 am\u00e9ricaine, mais chantant les<\/p>\n<p>vicissitudes de l\u2019existence tant dans leur langue nationale: en lituanien pour Domantas Razauskas&nbsp; qu\u2019en dialecte pour Rokas Kaseta. La m\u00eame subtile \u00e9l\u00e9gance est distill\u00e9e, \u00e0 la guitare et au piano,&nbsp; par les estoniennes Mari Kalkun et Mari Jurjens ou la c\u00e9l\u00e8bre lituanienne Alina Orlova.<\/p>\n<p>&nbsp;<\/p>\n<p class=\"style-scope ytd-watch-metadata\"><strong>Alina Orlova Live<\/strong><\/p>\n<iframe title=\"LRT OPUS ORE | Alina Orlova Live | Full Performance\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ZRE06KthOdI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Mais le terme post-folk -entendu comme expression libre enracine\u0301e dans la tradition- a e\u0301te\u0301 cre\u0301e\u0301, en 1993, en Lettonie par le groupe folk rock militant Il\u0327g\u0327i -le groupe le plus populaire jusqu\u2019a\u0300 aujourd\u2019hui dans le pays- et plus particulie\u0300rement sa leadeuse Ilga Reizniece, \u00ab the folklore queen of Latvia \u00bb. C\u2019est e\u0301galement en Lettonie que s\u2019est de\u0301roule\u0301 le premier festival de post-folk la me\u0302me anne\u0301e. Cette attitude de liberte\u0301 expe\u0301rimentale envers la musique traditionnelle s\u2019est poursuivie avec la cre\u0301ation d\u2019ensembles comme le Neautentis\u030cko folkloro ansamblis (\u00ab ensemble de folklore non authentique \u00bb) et le Keisto folkloro ansamblis (\u00ab ensemble de folklore e\u0301trange&nbsp;\u00bb).<\/p>\n<p>En Estonie comme en Lettonie, c\u2019est la cornemuse (\u00abl\u2019instrument de l\u2019enfer \u00bb aux yeux de l\u2019e\u0301glise catholique), e\u0301rige\u0301e en symbole de re\u0301sistance au pouvoir de l\u2019occupant, qui sera particulie\u0300rement re\u0301investie par le mouvement post-folk. L\u2019on pense e\u0301videmment aux super stars estoniennes Trad.Attack! et leur festival Trad.Fest! mais e\u0301galement a\u0300 Rotoro qui propulse la cornemuse dans le jazz avant-garde avec le saxophone.<\/p>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\"><strong>Trad.Attack<strong>! -&nbsp;<\/strong><\/strong><em><strong>Kullakarva finaal<\/strong><\/em><\/div>\n<div><\/div>\n<\/div>\n<div>\n<iframe title=\"TRAD.ATTACK! - Kullakarva finaal \/ Shimmer Gold final aftermovie 08.02.2019\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/a5tLt0fK2JA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<img decoding=\"async\" class=\"wp-image-23888 size-medium aligncenter lazyload\" data-src=\"http:\/\/www.auxsons.com\/wp-content\/uploads\/2022\/06\/capture-decran-2022-06-27-a-084349-300x298.png\" alt width=\"300\" height=\"298\" data-srcset=\"https:\/\/www.auxsons.com\/wp-content\/uploads\/2022\/06\/capture-decran-2022-06-27-a-084349-300x298.png 300w, https:\/\/www.auxsons.com\/wp-content\/uploads\/2022\/06\/capture-decran-2022-06-27-a-084349-150x150.png 150w, https:\/\/www.auxsons.com\/wp-content\/uploads\/2022\/06\/capture-decran-2022-06-27-a-084349-768x763.png 768w, https:\/\/www.auxsons.com\/wp-content\/uploads\/2022\/06\/capture-decran-2022-06-27-a-084349.png 994w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/298;\">\n<p>&nbsp;<\/p>\n<p>Malgr\u00e9 la fabrication traditionnelle de leurs cornemuses et percussions \u00e0 partir du bois de ch\u00eane, &nbsp;Auli, groupe tr\u00e8s populaire en Lettonie, ou le groupe f\u00e9minin Tautumeitas&nbsp;ont bel et bien invent\u00e9 et mis en sc\u00e8ne le caract\u00e8re traditionnel de leur performance.&nbsp; Important de noter, en Lituanie, le festival Menuo Juodaragis (La lune \u00e0 corne noire) - qui se&nbsp; d\u00e9roule, depuis vingt-cinq ans en pleine nature - qui est \u00e0 la fois un espace-temps - sacralis\u00e9 par le&nbsp; rituel d\u2019ouverture de l\u2019ensemble folklorique Kulgrinda- et une plateforme pour des groupes d\u2019avant-&nbsp;garde, n\u00e9o-folk et folk-rock locaux tels qu\u2019Atalyja, Zalvarinis ou Skyle&nbsp;et \u00e9trangers \u00e0 l\u2019instar des \u00ab ethno-chaos performers \u00bb ukrainiens Dakha Brakha.<\/p>\n<p>&nbsp;<\/p>\n<p class=\"style-scope ytd-watch-metadata\"><strong>B\u0101rain\u012bte | Live&nbsp;2019<\/strong><\/p>\n<iframe title=\"B\u0101rain\u012bte | Live 2019\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/SSzwupEcMcs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p class=\"style-scope ytd-watch-metadata\"><strong>Skyl\u00e9 - <em>Broliai<\/em><\/strong><\/p>\n<iframe title=\"Aist\u0117 Smilgevi\u010di\u016bt\u0117 ir grup\u0117 SKYL\u0116 - Broliai  (visas koncertas)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Y35KB9LJ3h8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>En comple\u0301ment, Playlist Spotify<\/strong><\/p>\n<iframe title=\"Spotify Embed: Baltic\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/3aWb12IB7qm4CzXZbZhNAx?utm_source=oembed\"><\/iframe>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Estonie, Lettonie et Lituanie, trois pays que la mappemonde rapproche. Mais au-del\u00e0 des &nbsp;fronti\u00e8res et d\u2019une lib\u00e9ration sovi\u00e9tique commune, quelles sont les musiques qui f\u00e9d\u00e8rent ou &nbsp;distinguent ces trois territoires&nbsp;? \u00c9pisode 1: Des rites mystiques pa\u00efens au mouvement post-folk&nbsp; Cosmogonies et revival folk&nbsp; Le r\u00e9pertoire oral des traditions populaires baltes fut d\u00e9couvert au cours&nbsp;du<\/p>\n","protected":false},"author":271,"featured_media":23844,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-23881","focus","type-focus","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Les sc\u00e8nes baltes au soleil d\u00e9voil\u00e9 de la libert\u00e9 #1 - Des rites mystiques pa\u00efens au mouvement post-folk - #AuxSons<\/title>\n<meta name=\"description\" content=\"Estonie, Lettonie et Lituanie, trois pays que la mappemonde rapproche. 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