{"id":23303,"date":"2022-05-30T15:44:03","date_gmt":"2022-05-30T13:44:03","guid":{"rendered":"https:\/\/www.auxsons.com\/?post_type=focus&#038;p=23303"},"modified":"2022-05-31T15:42:48","modified_gmt":"2022-05-31T13:42:48","slug":"musique-la-palestine-autrement","status":"publish","type":"focus","link":"https:\/\/www.auxsons.com\/en\/focus\/musique-la-palestine-autrement\/","title":{"rendered":"Musique : La Palestine autrement"},"content":{"rendered":"<p>\u00c9trange paradoxe musical que celui de la Palestine, bien plus connue \u00e0 travers les \u00e9trangers qui l\u2019ont chant\u00e9e que par le biais des artistes qui y sont n\u00e9s ou en sont originaires. En cause, l\u2019occupation isra\u00e9lienne \u00e9videmment qui met \u00e0 mal l\u2019industrie musicale palestinienne depuis 1948, mais aussi l\u2019internationalisation de la cause palestinienne qui devient un symbole de lutte dans le monde arabe et au-del\u00e0, sans oublier une <strong><span class=\"Hyperlink0\"><a href=\"http:\/\/www.youtube.com\/watch?v=G8Hj_D8JDCc\" target=\"_blank\" rel=\"noopener\">instrumentalisation de la musique <\/a><\/span><\/strong>par les diff\u00e9rents mouvements politiques en exil. Pourtant, derri\u00e8re les chansons de Fayrouz (<em>Al Quds Al Atiqa<\/em>\/<em>La Vieille Ville De J\u00e9rusalem<\/em>, &nbsp;<em>Zahrat Al Mada\u2019in<\/em>\/<em>La Fleur Des Villes<\/em>), Marcel Khalif\u00e9&nbsp; (<em>Jawaz Safar<\/em>\/<em>Passeport<\/em>, <em>Oummi<\/em>\/<em>Ma M\u00e8re<\/em>, adaptations de po\u00e8mes de Mahmoud Darwich), Julia Boutros <em>&nbsp;(Wein al Malayin?<\/em>\/<em>O\u00f9 Sont Les Millions?<\/em>) ou encore Ahmed Kaabour au Liban (<em>Ounakidoum<\/em>\/<em>Je Vous Appelle<\/em>, sur un texte de Tewfik Ziad), Farid El-Atrache, Oum Kalthoum, Abdelhalim Hafez et Cheikh Imam en \u00c9gypte ou encore Nass El Ghiwane au Maroc (<em>Chabra w Chatila<\/em>\/<em>Chabra et Chatila<\/em>), la musique palestinienne n\u2019a cess\u00e9 d\u2019exister.<\/p>\n<p>N\u00e9 \u00e0 Naplouse (1923-1998), le chanteur et oudiste Rawhi Al Khammash <span dir=\"RTL\" lang=\"AR-SA\">\u0631\u0648\u062d\u064a \u0627\u0644\u062e\u0645\u0627\u0634<\/span> est embl\u00e9matique de la sc\u00e8ne musicale palestinienne d\u2019avant 1948, structur\u00e9e autour d\u2019une \u00e9lite urbaine \u00e9<span lang=\"ES-TRAD\">duqu<\/span>\u00e9e qui nourrit une vie culturelle foisonnante, pleinement int\u00e9gr\u00e9e aux circuits de production et de diffusion du Proche-Orient : les musiciens palestiniens louent aussi naturellement leurs services dans les orchestres et stations de radio libanaises que les artistes des pays limitrophes viennent se produire en Palestine, lors de tourn\u00e9es ou employ\u00e9s par Radio Proche-Orient qui \u00e9<span lang=\"NL\">met de J<\/span>\u00e9rusalem. <span lang=\"PT\">La Nakba, ou l<\/span><span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>exode massif des Palestiniens chass\u00e9s de leurs terres suite \u00e0 la cr\u00e9ation de l\u2019\u00c9tat d<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><span lang=\"NL\">Isra\u00eb<\/span>l, porte un coup fatal \u00e0 ce mode de vie qui fait fi des fronti<span lang=\"IT\">\u00e8<\/span><span lang=\"PT\">res.<\/span> et rep\u00e9r\u00e9 tr\u00e8s jeune par le violoniste syrien Sami Shawwa, Rawhi Al Khammash \u2014 compositeur prolifique encore jou\u00e9 aujourd\u2019<span lang=\"NL\">hui<\/span> \u2014 co-fonde Radio J\u00e9rusalem avant d\u2019\u00eatre contraint \u00e0 l\u2019exil \u00e0 Bagdad o\u00f9 il contribuera \u00e0 la pr\u00e9servation de la musique irakienne. Une partie de sa discographie a \u00e9t\u00e9 r\u00e9\u00e9dit\u00e9e il y a 10 ans par l\u2019institut <strong><span class=\"Hyperlink0\"><a href=\"http:\/\/nawainstitute.org\/about.htm\" target=\"_blank\" rel=\"noopener\">Nawa<\/a><\/span><\/strong> (Ramallah).<\/p>\n<div>\n<p class=\"Corps\"><i>Les arabophones trouveront sur Youtube <\/i><span class=\"Hyperlink0\"><i>un entretien t\u00e9l\u00e9vis\u00e9<\/i><\/span><i> o\u00f9 ce dernier revient sur sa vie et sa carri\u00e8re.<\/i><\/p>\n<div>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=CeCmph5i9ZA\">https:\/\/\u200bwww\u200b.youtube\u200b.com\/\u200bw\u200ba\u200bt\u200bc\u200bh\u200b?\u200bv\u200b=\u200bC\u200be\u200bC\u200bm\u200bp\u200bh\u200b5\u200bi\u200b9ZA<\/a><\/p>\n<p>&nbsp;<\/p>\n<p class=\"Corps\"><strong>Hijaz Karkard - <em>Rawhi El Khammash<\/em><\/strong><\/p>\n<\/div>\n<iframe title=\"\u0633\u0645\u0627\u0639\u064a \u062d\u062c\u0627\u0632 \u0643\u0627\u0631 \u0643\u0631\u062f - \u0631\u0648\u062d\u064a \u0627\u0644\u062e\u0645\u0627\u0634\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/uNncmnhL05k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<\/div>\n<div>\n<p class=\"Corps\">Les projets de r\u00e9\u00e9dition sont en effet essentiels pour perp\u00e9tuer la m\u00e9moire d\u2019une \u00e9poque \u00e9touff\u00e9e par l\u2019occupation. Dernier en date, le projet <strong><span class=\"Hyperlink0\"><a href=\"https:\/\/soundcloud.com\/user585637463\" target=\"_blank\" rel=\"noopener\">Majazz<\/a><\/span><\/strong>, fond\u00e9 par Mo\u2019min Swaitat, com\u00e9dien et activiste culturel n\u00e9 \u00e0 J\u00e9nine et form\u00e9 au Freedom Theatre de Juliano Mer Khamis. <strong><span class=\"Hyperlink0\"><a href=\"https:\/\/www.theguardian.com\/world\/2022\/jan\/12\/a-journey-through-the-past-lost-music-of-the-palestinian-uprising-is-restored?CMP=Share_iOSApp_Other&amp;fbclid=IwAR3PmANj76kPNIP1c1o9nmQnwn5qvfIDNdTtU1LdreDQFoY0we_dXW6jSvA\" target=\"_blank\" rel=\"noopener\">Entr\u00e9 r\u00e9cemment en possession de milliers de cassettes audio<\/a><\/span><\/strong> rarement sorties du pays, il redonne voix \u00e0 des r\u00e9pertoires oubli\u00e9s ou peu connus comme les chansons de f\u00eates et de mariage b\u00e9douines, jug\u00e9es par les tenants de la <span class=\"Aucun\"><i>doxa<\/i><\/span> trop populaires ou pas assez \u00ab&nbsp;<em>typiquement palestiniennes&nbsp;<\/em>\u00bb. En t\u00e9moigne l\u2019album intitul\u00e9 <em><strong><span class=\"Hyperlink0\"><a href=\"https:\/\/majazzproject.bandcamp.com\/album\/palestinian-bedouin-tape-archive\" target=\"_blank\" rel=\"noopener\">Palestinian Bedouin Tape Archive<\/a><\/span><\/strong> <\/em>et enregistr\u00e9 par Mahmoud et <strong><span class=\"Hyperlink0\"><a href=\"http:\/\/www.youtube.com\/watch?v=2KkM16JzSBA\" target=\"_blank\" rel=\"noopener\">Atef Swaitat<\/a><\/span><\/strong>, parents \u00e9loign\u00e9s de Mo\u2019min.<\/p>\n<\/div>\n<div>\n<p class=\"Corps\"><strong>Hussein Sweiti<\/strong><\/p>\n<\/div>\n<iframe title=\"\u0627\u0644\u0641\u0646\u0627\u0646 \u062d\u0633\u064a\u0646 \u0633\u0648\u064a\u0637\u064a\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/a3wsF2_c9PY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<div>\n<p class=\"Corps\">Si la musique palestinienne n\u2019\u00e9voque pas syst\u00e9matiquement le th\u00e8me de l\u2019exil, il est \u00e9videmment impossible d\u2019occulter la situation \u00e0 laquelle sont soumis les Palestiniens depuis 1948. Majazz a ainsi r\u00e9\u00e9dit\u00e9 en 2022 l\u2019<strong><span class=\"Hyperlink0\"><a href=\"https:\/\/majazzproject.bandcamp.com\/album\/the-intifada-1987-2\" target=\"_blank\" rel=\"noopener\">album de Riad Awwad <span dir=\"RTL\" lang=\"AR-SA\">\u0631\u064a\u0627\u0636 \u0639\u0648\u0627\u062f<\/span> <em>Intifada<\/em><\/a><\/span><\/strong>&nbsp;paru en 1987, ann\u00e9e du premier soul\u00e8vement majeur dans la bande de Gaza et en Cisjordanie depuis la guerre des Six Jours. Ainsi que <em><strong><span class=\"Hyperlink0\"><a href=\"https:\/\/majazzproject.bandcamp.com\/album\/from-ansar-to-askhlan\" target=\"_blank\" rel=\"noopener\">From Ansar to Ashklan<\/a><\/span><\/strong>&nbsp;<\/em>&nbsp;de George Kirghiz (1985) d\u00e9di\u00e9 aux prisonniers palestiniens enferm\u00e9s dans les ge\u00f4les isra\u00e9liennes. Un sujet malheureusement toujours d\u2019actualit\u00e9.<\/p>\n<div>\n<p class=\"Corps\"><span lang=\"EN-US\"><strong>Riad Awwad<\/strong> - <strong><em>I\u2019m From Jerusalem&nbsp;<\/em><\/strong><\/span><\/p>\n<iframe title=\"I\u2019m from Jerusalem - by Riad Awwad - \u0627\u0646\u0627 \u0645\u0646 \u0627\u0644\u0642\u062f\u0633 -  \u0631\u064a\u0627\u0636 \u0639\u0648\u0627\u062f\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Wbje0cC9ZVg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<div>\n<p class=\"Corps\">Si l\u2019occupation entrave l\u2019importation de certains produits et la libre-circulation des artistes, la musique palestinienne n\u2019est n\u00e9anmoins pas coup\u00e9e du monde et s\u2019inspire de ce qui se fait ailleurs, \u00e0 l\u2019instar dans les ann\u00e9es 1970 du groupe Al-Bara\u2019em <span dir=\"RTL\" lang=\"AR-SA\">\u0627\u0644\u0628\u0631\u0627\u0639\u0645<\/span> ou de ses successeurs Al-Fajr qui oscille entre <strong><span class=\"Hyperlink0\"><a href=\"https:\/\/www.instagram.com\/p\/CaSE02kANPK\/\" target=\"_blank\" rel=\"noopener\">folk<\/a><\/span><\/strong> et chanson traditionnelle. Mais ce sont surtout la regrett\u00e9e <strong><span class=\"Hyperlink0\"><a href=\"http:\/\/www.youtube.com\/watch?v=BoCelomk96U\" target=\"_blank\" rel=\"noopener\">Rim Banna<\/a><\/span><\/strong> ou encore Sabreen, groupe fond\u00e9 \u00e0 J\u00e9rusalem par Sa\u00efd Murad, qui sont associ\u00e9s \u00e0 la fusion entre textes po\u00e9tiques et engag\u00e9s et influences musicales multiples. Alors que Sabreen est aujourd\u2019hui essentiellement une <strong><span class=\"Hyperlink0\"><a href=\"https:\/\/www.sabreen.org\/\" target=\"_blank\" rel=\"noopener\">association pour le d\u00e9veloppement artistique<\/a><\/span><\/strong>, son ancienne chanteuse, la oudiste Kamilya Jubran, effectue une carri\u00e8re en France, tout comme le c\u00e9l\u00e8bre Trio Joubran, davantage per\u00e7u comme les ambassadeurs de la musique palestinienne \u00e0 l\u2019\u00e9tranger.<\/p>\n<p><strong>Al-Bara\u2019em - <em><span lang=\"EN-US\">Pluie et Tonnerre<\/span><\/em><\/strong><\/p>\n<\/div>\n<iframe title=\"\u0645\u0637\u0631 \u0648\u0631\u0639\u0648\u062f.   \u0641\u0631\u0642\u0629 \u0627\u0644\u0628\u0631\u0627\u0639\u0645 \u0627\u0644\u0641\u0644\u0633\u0637\u064a\u0646\u064a\u0629   Al baraem musical band\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/ZzZJsexPNPw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<div>\n<p class=\"Corps\"><strong>Al-Fajr<\/strong> - <strong><em>Hilalaliya<\/em><\/strong><\/p>\n<iframe title=\"Al-Fajr Group - Berlin festival 1989_song1 \u0641\u0631\u0642\u0629 \u0627\u0644\u0641\u062c\u0631 \u0627\u0644\u0641\u0644\u0633\u0637\u064a\u0646\u064a\u0629 - \u0647\u0644\u0627\u0644\u0627\u0644\u0627\u0644\u064a\u0627\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/4LNMfGvRfbU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<div>\n<p>&nbsp;<\/p>\n<p class=\"Corps\"><strong><span class=\"Hyperlink1\"><a href=\"https:\/\/www.youtube.com\/c\/DubKey\" target=\"_blank\" rel=\"noopener\">Ministry of Dubkeh<\/a><\/span><\/strong><span class=\"Aucun\"> (avec Walaa Sbait, du groupe <\/span><strong><span class=\"Hyperlink1\"><a href=\"https:\/\/www.youtube.com\/channel\/UC8D_2MCF9YRrsMDp0q0h1Rw\" target=\"_blank\" rel=\"noopener\">47Soul<\/a><\/span><\/strong><span class=\"Aucun\"> qui vient de sortir <\/span><strong><span class=\"Hyperlink1\"><a href=\"http:\/\/www.youtube.com\/watch?v=UNIGPuGZ4h4\" target=\"_blank\" rel=\"noopener\">une chanson d\u00e9di\u00e9e \u00e0 la journaliste Shireen Abu Akleh<\/a><\/span><\/strong><span class=\"Aucun\"> assassin\u00e9e le 11 mai dernier), <\/span><span class=\"Hyperlink1\"><a href=\"https:\/\/www.youtube.com\/user\/Ramallahunderground\" target=\"_blank\" rel=\"noopener\"><strong>Ramallah Underground<\/strong> (<\/a><\/span><span class=\"Aucun\">Stormtrap<em>)<\/em>, <\/span><span class=\"Hyperlink1\"><a href=\"https:\/\/www.youtube.com\/channel\/UCYJEJoCLgfVCbo5H77b7H8A\" target=\"_blank\" rel=\"noopener\"><strong><span class=\"caps\">DAM<\/span><\/strong><\/a><\/span><span class=\"Aucun\">, <\/span><strong><span class=\"Hyperlink1\"><a href=\"https:\/\/www.youtube.com\/c\/Muqataa\" target=\"_blank\" rel=\"noopener\"><span lang=\"ES-TRAD\">Muqata\u2019a<\/span><\/a><\/span><\/strong><span class=\"Aucun\">\u2026 les ann\u00e9es 2000 et la seconde Intifada voient le d\u00e9veloppement et la diffusion \u00e0 l\u2019\u00e9tranger \u2014 gr\u00e2ce \u00e0 internet \u2014 de groupes de rap et de hip hop inspir\u00e9s des \u00c9tats-Unis qui font des ravages de l\u2019occupation leur th\u00e8me principal. Signe des temps, les chansons portent aujourd\u2019hui \u00e9galement sur la corruption et la complaisance des dirigeants palestiniens ainsi que sur l\u2019inaction de la communaut\u00e9 internationale, tandis que des sonorit\u00e9s plus traditionnelles font leur apparition.<\/span><\/p>\n<\/div>\n<div>\n<div>\n<p class=\"Corps\"><strong>Ramallah Underground<\/strong> - <strong><em>Nateejeh Bala Shughol<\/em><\/strong><\/p>\n<\/div>\n<\/div>\n<div>\n<iframe title=\"Ramallah Underground (Stormtrap) - Nateejeh bala shughol\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/86OVicIQV9Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div>\n<div>\n<p>&nbsp;<\/p>\n<p class=\"Corps\"><span lang=\"EN-US\"><strong>Dam - <em>Milliardat<\/em><\/strong><\/span><\/p>\n<\/div>\n<iframe title=\"DAM - MILLIARDAT - \u0645\u0644\u064a\u0627\u0631\u062f\u0627\u062a (Official Music Video)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/DROMnwIIvnI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<div>\n<p>&nbsp;<\/p>\n<p class=\"Corps\">Moins politiques par l\u2019absence en g\u00e9n\u00e9rale de paroles mais tout aussi engag\u00e9s par l\u2019existence m\u00eame d\u2019une sc\u00e8ne musicale palestinienne qu\u2019ils repr\u00e9sentent, les artistes \u00e9lectro ne sont pas en reste, entre techno (avec le collectif Jazar Crew) et mise en valeur du patrimoine musical local (collectif <strong><span class=\"Hyperlink0\"><a href=\"https:\/\/www.youtube.com\/watch?v=h4u2p9mbsDs\" target=\"_blank\" rel=\"noopener\">Electrosteen<\/a><\/span><\/strong> cr\u00e9\u00e9 en 2019 autour de Rashid Abdelhamid Sarouna, Sama Adbulhadi, Jalmud, Alnather, Muqataa, Nasser Halahlih, Bruno Cruz et Walaa Sbait). Une tendance globale qui, dans les pas de Omar Souleyman ou Acid Arab, fait des \u00e9mules chez <strong><span class=\"Hyperlink0\"><a href=\"http:\/\/www.youtube.com\/watch?v=G9uTL4000Ew\" target=\"_blank\" rel=\"noopener\">Zenobia<\/a><\/span><\/strong>.<\/p>\n<div>\n<p class=\"Corps\"><span lang=\"EN-US\"><strong>Sama\u2019 Abdulhadi<\/strong> -&nbsp;<strong><em>Boiler Room Palestine<\/em><\/strong><\/span><\/p>\n<\/div>\n<\/div>\n<iframe title=\"Sama' Abdulhadi | Boiler Room Palestine\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/x9VYKrtziSg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<div>\n<p>&nbsp;<\/p>\n<p class=\"Corps\"><strong><em><span lang=\"EN-US\">Sama\u2019 Abdulhadi<\/span> -&nbsp;7ajee<\/em><\/strong><\/p>\n<\/div>\n<iframe title=\"7ajee - SAMA' [Official Music Video] #Electrosteen\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/zCxOFyezMUY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c9trange paradoxe musical que celui de la Palestine, bien plus connue \u00e0 travers les \u00e9trangers qui l\u2019ont chant\u00e9e que par le biais des artistes qui y sont n\u00e9s ou en sont originaires. En cause, l\u2019occupation isra\u00e9lienne \u00e9videmment qui met \u00e0 mal l\u2019industrie musicale palestinienne depuis 1948, mais aussi l\u2019internationalisation de la cause palestinienne qui devient<\/p>\n","protected":false},"author":271,"featured_media":23297,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-23303","focus","type-focus","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Musique : La Palestine autrement - #AuxSons<\/title>\n<meta name=\"description\" content=\"\u00c9trange paradoxe musical que celui de la Palestine, bien plus connue \u00e0 travers les \u00e9trangers qui l\u2019ont chant\u00e9e que par le biais des artistes qui y sont\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.auxsons.com\/en\/focus\/musique-la-palestine-autrement\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Musique : La Palestine autrement - 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