{"id":18247,"date":"2021-07-05T11:36:46","date_gmt":"2021-07-05T09:36:46","guid":{"rendered":"http:\/\/www.auxsons.com\/?post_type=focus&#038;p=18247"},"modified":"2021-08-16T16:47:32","modified_gmt":"2021-08-16T14:47:32","slug":"racines-et-fiertes-afro-colombiennes","status":"publish","type":"focus","link":"https:\/\/www.auxsons.com\/en\/focus\/racines-et-fiertes-afro-colombiennes\/","title":{"rendered":"Racines et Fiert\u00e9s Afro-colombiennes"},"content":{"rendered":"<p><strong><em>Longtemps d\u00e9valoris\u00e9es en Colombie, les racines africaines irriguent les musiques des c\u00f4tes Cara\u00efbe et Pacifique et les tubes \u00e9lectro urbains colombiens, depuis l\u2019arriv\u00e9e des esclaves (et plus tard des disques de soukous) \u00e0 Carthag\u00e8ne&nbsp;!<\/em><\/strong><\/p>\n<p>On le sait peu, mais la Colombie accueille la seconde population d\u2019afro-descendants la plus importante d\u2019Am\u00e9rique latine, juste apr\u00e8s le Br\u00e9sil. Et on le sait peut-\u00eatre encore moins, mais c\u2019est en Colombie que s\u2019est constitu\u00e9e la premi\u00e8re enclave d\u2019esclaves libres du Nouveau Monde ! Bien avant qu\u2019Ha\u00efti ne devienne la premi\u00e8re r\u00e9publique noire en 1804, \u00e0 <strong><a href=\"https:\/\/www.auxsons.com\/breves\/perou-colombie-des-villes-musicales-en-detresse\/\" target=\"_blank\" rel=\"noopener\">Palenque de San Basilio<\/a><\/strong>, les tambours avaient d\u00e9j\u00e0 le droit de r\u00e9sonner librement depuis le <span class=\"caps\">XVII<\/span><sup>e<\/sup> si\u00e8cle, \u00e0 70 km du port n\u00e9grier de Carthag\u00e8ne. Un centre de r\u00e9sistance, bien cach\u00e9 dans les contreforts des Montes de Maria, reconnu par le Roi d\u2019Espagne, et aujourd\u2019hui d\u00e9clar\u00e9 \u00ab&nbsp;<em>chef d\u2019\u0153uvre du patrimoine oral et immat\u00e9riel de l\u2019humanit\u00e9&nbsp;<\/em>\u00bb en 2005 par l\u2019<span class=\"caps\">UNESCO<\/span>.<em>&nbsp;<\/em><\/p>\n<p><strong><a href=\"https:\/\/www.instagram.com\/kombilesami\/\">Kombilesa Mi<\/a> -&nbsp;<em>Vamos Pal Baile<\/em><\/strong> (men\u00e9 par Afroneto, qui se comme revendique de la mouvance \u00ab Rap foklorique palenquero \u00bb, en m\u00ealant le hip hop aux rythmes cumbia, mapal\u00e9, bullerengue, son palenquero, puya ou sukouss&nbsp;!)<\/p>\n<iframe title=\"KOMBILESA M\u00cd - VAMOS PAL BAILE\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/7p1FrQwVMBE?start=59&amp;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>Loin des c\u00f4tes n\u00e9gri\u00e8res et de l\u2019agitation coloniale des villes, c\u2019est donc dans cette premi\u00e8re nation libre ind\u00e9pendante, fond\u00e9e par des marrons men\u00e9s par Benkhos Bioho (n\u00e9 en Guin\u00e9e), qu\u2019ont pu survivre les rythmes et les chants traditionnels d\u2019Afrique import\u00e9s par les 600 000 esclaves, Bantu, Wolof, Yoruba, Mandingues ou Ashantis, d\u00e9barqu\u00e9s \u00e0 Carthag\u00e8ne avant d\u2019\u00eatre envoy\u00e9s dans les mines ou les plantations du&nbsp;pays.<\/p>\n<p>De fils en aiguilles, de rituels en transmissions et en apprentissages, \u00e0 Palenque de San Basilio, les musiciens n\u2019ont jamais cess\u00e9 de faire vivre des chants parfois disparus ailleurs aujourd\u2019hui, tout en cultivant le palenque, une langue afro-colombienne qui cr\u00e9olise l\u2019espagnol, le portugais, le kicongo et le kibundu.<\/p>\n<p>A San Basilio de Palenque on croise encore Los Alegres Ambulancias (litt\u00e9ralement Les Joyeuses Ambulances), une formation qui cultive toujours des rythmes venus d\u2019Afrique. Depuis plus de trois si\u00e8cles, comme les griots, elle accompagne toutes les \u00e9tapes de la vie, et notamment les f\u00eates fun\u00e9raires pour permettre aux \u00e2mes de passer dans l\u2019autre monde\u2026<\/p>\n<iframe title=\"Las Alegres Ambulancias con Paulino Salgado Batata - Bullerengue Pa Vender \/ en vivo !! 1999\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/uHAdfuRlZbU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p><strong>&nbsp;<\/strong><\/p>\n<p>Depuis des g\u00e9n\u00e9rations, ces chants ont donc \u00e9t\u00e9 transmis, en conservant leur dimension rituelle et sacr\u00e9e, pour permettre le passage vers l\u2019au-del\u00e0, pendant que, comme ailleurs, la famille et les amis du d\u00e9funt boivent en son honneur devant son cercueil\u2026<\/p>\n<p>Il aura fallu la venue de <a href=\"https:\/\/www.instagram.com\/palenquerecords\/?hl=fr\"><strong>Lucas Silva<\/strong><\/a>, un jeune r\u00e9alisateur colombien de documentaires pour que ces myst\u00e9rieuses formules musicales parviennent aux oreilles occidentales.<\/p>\n<p>A la fin des ann\u00e9es 90, apr\u00e8s avoir \u00e9cum\u00e9 les disquaires africains de Ch\u00e2teau Rouge \u00e0 Paris o\u00f9 il a fait ses \u00e9tudes de cin\u00e9ma, Lucas visite San Basilio. \u00ab <em>C\u2019\u00e9tait vraiment un choc !&nbsp;<\/em>\u00bb se souvient-il. Il d\u00e9cide alors d\u2019enregistrer ce patrimoine musical et de le sortir en <span class=\"caps\">CD<\/span> sur son foisonnant label <strong><a href=\"https:\/\/palenquerecords.bandcamp.com\/\">Palenque records<\/a>.<\/strong><\/p>\n<p><strong>El Sexteto Tabal\u00e0<\/strong><\/p>\n<iframe title=\"El Sexteto Tabal\u00e1.  Colombie\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/dXParZn0eWk?start=2&amp;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>Gr\u00e2ce \u00e0 la magie des enregistrements de cette fin du XXe si\u00e8cle, ces voix et ces tambours fun\u00e9raires sont m\u00eame arriv\u00e9s jusque dans les sound systems colombiens, qu\u2019on appelle \u201cpicos\u201d&nbsp;en hommage aux \u201cpick up\u201d&nbsp; (tourne disques). Ces discoth\u00e8ques g\u00e9antes \u00e0 ciel ouvert sont n\u00e9es \u00e0 Carthag\u00e8ne dans les ann\u00e9es 50.<\/p>\n<p>&nbsp;<\/p>\n<h2><strong>Picos et champetta<\/strong><\/h2>\n<p>Comme en Jama\u00efque, quelques bricoleurs ont commenc\u00e9 \u00e0 monter leur petit commerce culturel en amplifiant des platines et en proposant des bi\u00e8res. Et encore aujourd\u2019hui, les <span class=\"caps\">DJ<\/span> clament que leur <em>pico<\/em>, <em>El Ciclon<\/em> ou <em>El Sibanicu<\/em>, est le meilleur du monde, ils relaient des news locales, les horaires des fun\u00e9railles, les soldes sur les bananes, le tout entrecoup\u00e9 par les derni\u00e8res nouveaut\u00e9s musicales. Apr\u00e8s les 78 tours de jazz cubain ou de tango argentin arriv\u00e9s \u00e0 Carthag\u00e8ne et \u00e0 Baranquilla dans les cales des cargos, puis les vinyles africains import\u00e9s par les marins au d\u00e9but des ann\u00e9es 70, aujourd\u2019hui la fi\u00e8vre digitale s\u2019empare des picos, mais l\u2019influence des sons africains reste primordiale.<\/p>\n<iframe src=\"https:\/\/player.vimeo.com\/video\/37326073?color=ff9933&amp;portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>\n<p>&nbsp;<\/p>\n<p><span class=\"dquo\">\u00ab<\/span>&nbsp;<em>Un vrai sound system, un pico, \u00e7a te secoue le corps, \u00e7a casse les vitres, \u00e7a fait \u00e9clater les ampoules! On disait m\u00eame que \u00e7a r\u00e9veillait les abeilles les plus sauvages ! \u00bb, <\/em>s\u2019enthousiasme Lucas Silva, dont les enregistrements acoustiques tambours-voix de Palenque sont remix\u00e9s par les <span class=\"caps\">DJ<\/span> et cartonnent dans les picos du carnaval de Baranquilla (plus gros carnaval du continent apr\u00e8s celui de Rio). <em>\u00ab Les picos ont longtemps \u00e9t\u00e9 interdits parce que \u00e7a d\u00e9passe la musique, c\u2019est un acte de r\u00e9sistance pour faire reconna\u00eetre la culture afro-colombienne qui a longtemps \u00e9t\u00e9 d\u00e9valoris\u00e9e. Ces musiques sont presque punk : on ne peut pas les ma\u00eetriser ! \u00bb<\/em><strong>&nbsp;<\/strong><\/p>\n<p><strong>Fara\u00f3n Bant\u00fa \u00b7 Champeta Man \u00b7 Lucas Silva \u00b7 Las Alegres Ambulancias \u00b7 Dj Rata Piano - <em>La Maldita Vieja (Dj Rata Piano&nbsp;Remix)<\/em><\/strong><\/p>\n<iframe title=\"La Maldita Vieja (Dj Rata Piano Remix)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/x13zHKuBvXk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<h2><strong>Recyclages et reconnexions \u00e9lectro<\/strong><\/h2>\n<p>Dans un pays ou pr\u00e8s d\u2019un Colombien sur cinq est descendant d\u2019esclave, la rumba congolaise, le soukouss, le bikutsi ou l\u2019afro-beat nig\u00e9rian ont eu un succ\u00e8s fou, au point de cr\u00e9er un genre local de \u201cmusique recycl\u00e9e\u201d &nbsp;qu\u2019on appelle la \u201c<em>champeta\u201d&nbsp;<\/em>, qui est un peu ce que le reggae est \u00e0 la soul&nbsp;: une musique nationale inspir\u00e9e des sons import\u00e9s, en l\u2019occurrence les musiques africaines. La star de Baranquila, la colombienne Shakira a elle-m\u00eame recycl\u00e9 <em>Zangalewa<\/em>, un tube camerounais de 1986 pour en faire <em>Waka Waka,<\/em> l\u2019hymne de la coupe du monde de&nbsp;2010\u2026<\/p>\n<p><strong>Golden Sounds <em>- Zangalewa<\/em><\/strong><\/p>\n<iframe title=\"Original Zangalewa. Waka waka\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/czaRA68QkT8?start=257&amp;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>Loin des tubes plan\u00e9taires commerciaux, les racines afro-colombiennes ont toujours vibr\u00e9 dans la musique colombienne, notamment chez Tot\u00f3 La Momposina.<\/p>\n<p><strong>Tot\u00f3 La Momposina - <em>La Candela Viva<\/em><\/strong><\/p>\n<iframe title=\"Tot\u00f3 La Momposina - La Candela Viva (live at Real World Studios)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/LnmtdHiKdTE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>Mais aujourd\u2019hui, elle n\u2019en finit par de retourner les dancefloors et de nourrir les remix les plus cr\u00e9atifs&nbsp;!<\/p>\n<p><strong>Ghetto Kumb\u00e8 - <em>Tamb\u00f3<\/em><\/strong><\/p>\n<iframe title=\"Ghetto Kumbe\u0301 - Tambo\u0301 (Animation Official)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/kOONVwzr9Pw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>L\u2019h\u00e9ritage afro explose avec des groupes qui se cr\u00e9ent \u00e0 Bogota et sur les c\u00f4tes pacifique et atlantique. Il irrigue la cr\u00e9ation contemporaine en reliant la Colombie au Ghana, au Nig\u00e9ria, au B\u00e9nin, au Congo, et plus r\u00e9cemment au Cameroun, gr\u00e2ce \u00e0 <strong><a href=\"https:\/\/www.auxsons.com\/album\/bailalo-duro\/\" target=\"_blank\" rel=\"noopener\">Nkumba System<\/a><\/strong> un groupe franco-camerouno-colombien.<\/p>\n<p><strong>Nkumba System - <em>Cacerolazo<\/em><\/strong><\/p>\n<iframe title=\"Cacerolazo - Official video\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/t_8rvymEjqQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>Cette passionnante histoire d\u2019aller-retours a m\u00eame convaincu un musicien d\u2019origine \u00e9thiopienne bas\u00e9 aux Etats-Unis de venir travailler en Colombie pour relier ses guitares d\u00e9sertiques Omoro d\u2019Ethiopie avec l\u2019humidit\u00e9 torride des marimbas afros de la c\u00f4te Pacifique. L\u2019album du groupe ethio-colombien&nbsp; Kumera Zekarias s\u2019appelle <em>Biyya Chonta<\/em> (Biyya - territoire en langue omoro - et Chonta - un palmier de la c\u00f4te pacifique colombienne) : des racines et des fruits&nbsp;!<\/p>\n<p><strong>Kumera Zekarias - <em>Biyya Chonta<\/em><\/strong><\/p>\n<iframe title=\"Kumera Zekarias-- Biyya Chonta\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/1xJETByzg7A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Et pour finir, une vid\u00e9o pour mettre en valeur la beaut\u00e9 m\u00e9connue de la c\u00f4te pacifique (en particulier le d\u00e9partement du Choc\u00f3), d\u2019o\u00f9 sont originaires la plus grande partie des populations afro-colombiennes.<\/p>\n<p><strong>Killabeatmakers - <em>Matiela Suto<\/em><\/strong><\/p>\n<iframe title=\"Killabeatmaker - Matiela Suto\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/RSujxSq9CBk?start=89&amp;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>R\u00e9f\u00e9rences discographiques et&nbsp;liens<\/strong><\/p>\n<p>Compilation <a href=\"https:\/\/analogafrica.bandcamp.com\/album\/la-locura-de-machuca-1975-1980\"><strong><em>La Locura de Machuca 1975-1980<\/em><\/strong><\/a>&nbsp;(Analog Africa, 2020)<\/p>\n<p>Faraon Bantu <span class=\"amp\">&amp;<\/span> Champeta Man, <em>Futuro Ancestra<\/em>l (Palenque Record, 2020)<strong>&nbsp;<\/strong><\/p>\n<p><a href=\"https:\/\/www.auxsons.com\/album\/bailalo-duro\/\" target=\"_blank\" rel=\"noopener\"><strong>Nkumba System<\/strong>, <em>Bailalo Duro<\/em>&nbsp;( Prado Record 2020)<\/a><\/p>\n<p><a href=\"https:\/\/www.facebook.com\/ghettokumbe\"><strong>Ghetto Kumb\u00e9<\/strong><\/a>, <em>Ghetto Kumb\u00e9<\/em> (<span class=\"caps\">ZZK<\/span> Records)<\/p>\n<p>Compilation <a href=\"https:\/\/soundwayrecords.bandcamp.com\/album\/palenque-palenque-champeta-criolla-afro-roots-in-colombia-1975-91\"><strong><em>Palenque palenque \/ Champeta criolla <span class=\"amp\">&amp;<\/span> afro roots in Colombia 1975-1991 <\/em><\/strong><\/a>(Soundways, 2010)<\/p>\n<p><a href=\"http:\/\/www.budamusique.com\/fr\/catalogue\/view\/955\/musique-funeraire-afro-colombienne\/?of=168\"><strong>Compilation Musique Fun\u00e9raire de Palenque<\/strong><\/a> (Buda Musique, 1999)<\/p>\n<p><a href=\"https:\/\/palenquerecords.bandcamp.com\/\" target=\"_blank\" rel=\"noopener\"><strong>Label Palenque Record<\/strong><\/a> (on y trouve m\u00eame de la champeta.. arabe&nbsp;!)<\/p>\n<p><a href=\"https:\/\/www.facebook.com\/jazztropicante\/\"><strong><span class=\"caps\">JAZZ<\/span> <span class=\"caps\">TROPICANTE<\/span><\/strong><\/a>, laboratoire de cr\u00e9ations franco-colombiennes qui a initi\u00e9 la rencontre entre Nkumba System et Mamani Keita<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Longtemps d\u00e9valoris\u00e9es en Colombie, les racines africaines irriguent les musiques des c\u00f4tes Cara\u00efbe et Pacifique et les tubes \u00e9lectro urbains colombiens, depuis l\u2019arriv\u00e9e des esclaves (et plus tard des disques de soukous) \u00e0 Carthag\u00e8ne&nbsp;! On le sait peu, mais la Colombie accueille la seconde population d\u2019afro-descendants la plus importante d\u2019Am\u00e9rique latine, juste apr\u00e8s le Br\u00e9sil.<\/p>\n","protected":false},"author":271,"featured_media":18256,"menu_order":1,"template":"","format":"standard","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-18247","focus","type-focus","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Racines et Fiert\u00e9s Afro-colombiennes - #AuxSons<\/title>\n<meta name=\"description\" content=\"Longtemps d\u00e9valoris\u00e9es en Colombie, les racines africaines irriguent les musiques des c\u00f4tes Cara\u00efbe et Pacifique et les tubes \u00e9lectro urbains colombiens,\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.auxsons.com\/en\/focus\/racines-et-fiertes-afro-colombiennes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Racines et Fiert\u00e9s Afro-colombiennes - 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