{"id":13914,"date":"2020-12-27T23:07:25","date_gmt":"2020-12-27T22:07:25","guid":{"rendered":"http:\/\/www.auxsons.com\/?post_type=focus&#038;p=13914"},"modified":"2020-12-29T15:22:22","modified_gmt":"2020-12-29T14:22:22","slug":"jazz-cauris-cosmos-pulsation-dans-la-seconde-partie-du-xxe-siecle","status":"publish","type":"focus","link":"https:\/\/www.auxsons.com\/en\/focus\/jazz-cauris-cosmos-pulsation-dans-la-seconde-partie-du-xxe-siecle\/","title":{"rendered":"<span class=\"caps\">JAZZ<\/span>, <span class=\"caps\">CAURIS<\/span>, <span class=\"caps\">COSMOS<\/span> <span class=\"amp\">&amp;<\/span> <span class=\"caps\">PULSATION<\/span> (dans la seconde partie du XXe si\u00e8cle)"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Dois-je commencer par la l\u00e9gendaire toque de Thelonius Monk tel un couvre-chef de roi africain, ou par le collier en cauris de Jeanne Lee&nbsp;?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Tout ce qui attire le musicien jazz vers l\u2019Afrique originelle se loge autant dans le plus petit apparat qu\u2019en m\u00e9taphysique.<\/span><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_13917\" aria-describedby=\"caption-attachment-13917\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-large wp-image-13917 lazyload\" data-src=\"https:\/\/www.auxsons.com\/wp-content\/uploads\/2020\/12\/manuscritdoncherry-1-1024x800.jpg\" alt=\" manuscrit de Don Cherry sur la pochette de Mu\" width=\"640\" height=\"500\" data-srcset=\"https:\/\/www.auxsons.com\/wp-content\/uploads\/2020\/12\/manuscritdoncherry-1-1024x800.jpg 1024w, https:\/\/www.auxsons.com\/wp-content\/uploads\/2020\/12\/manuscritdoncherry-1-300x234.jpg 300w, https:\/\/www.auxsons.com\/wp-content\/uploads\/2020\/12\/manuscritdoncherry-1-768x600.jpg 768w, https:\/\/www.auxsons.com\/wp-content\/uploads\/2020\/12\/manuscritdoncherry-1-1536x1200.jpg 1536w, https:\/\/www.auxsons.com\/wp-content\/uploads\/2020\/12\/manuscritdoncherry-1-2048x1600.jpg 2048w, https:\/\/www.auxsons.com\/wp-content\/uploads\/2020\/12\/manuscritdoncherry-1-scaled.jpg 1920w\" data-sizes=\"(max-width: 640px) 100vw, 640px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 640px; --smush-placeholder-aspect-ratio: 640\/500;\"><figcaption id=\"caption-attachment-13917\" class=\"wp-caption-text\"><b><i>\u00ab Ce manuscrit de Don Cherry dans sa candeur hippie rejoint le mystique \u201cA Love Supreme\u201d de John Coltrane. \u00bb - <\/i><\/b>manuscrit de Don Cherry sur la pochette de&nbsp;Mu<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Le Free rend au cosmos ses salves de mati\u00e8res disloqu\u00e9es.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dans le pays du jazz, divinit\u00e9s, r\u00e9volution, imaginaire s\u2019\u00e9panouissent dans une fresque hallucinante.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">L\u2019Afrique n\u2019est pas loin ou son reflet troubl\u00e9 de fantasmes.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Le Cosmic Brotherhood de Jackie Mc Lean ou The Celestrial Communication Orchestra d\u2019Alan Silva d\u00e9passent la condition mat\u00e9rielle ; cet appel on le suppose venir d\u2019Orient, d\u2019un cosmos, de l\u00e0 o\u00f9 si\u00e8gent les esprits.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Dans la seconde partie du XXe si\u00e8cle - \u00e0 l\u2019instar de Malcom X, le Black-Panther qui devient El-Hajj Malek El-Shabbazz - des musiciens tels Abdullah Ibrahim ou Yusef Lateef adoptent l\u2019islam comme gage de r\u00e9sistance \u00e0 des ann\u00e9es d\u2019oppression blanche.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Le sublime solo de fl\u00fbte de Yusef Lateef avec le Connanball&nbsp; Adderley sextet<\/strong>. A voir imp\u00e9rativement l\u2019incontournable film\/portrait de Y.Lateef <a href=\"http:\/\/www.film-documentaire.fr\/4DACTION\/w_fiche_film\/16919_1\" target=\"_blank\" rel=\"noopener\">\u201cBrother Yusef\u201d<\/a> de N.Humbert et W.Penzel.<\/p>\n<iframe title=\"Cannonball Adderley Sextet - Feat.  Yusef Lateef  - Angel Eyes\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/OYK5fR_EM3E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Jeanne Lee chante Hiroshima&nbsp;; dans \u201cTears for Johannesburg\u201d Abbey Lincoln scande les noms des peuples spoli\u00e9s par l\u2019apartheid.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span class=\"dquo\">\u201c<\/span>A portrait of Mal Waldron\u201d documentaire 1997<\/strong><\/p>\n<iframe title=\"A Portrait Of Mal Waldron (Full Documentary) 1997\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/p3XJ5x8mbxM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p><b><i>De la minute 4,26 \u00e0 la minute 5,12 le chant poignant d\u2019Abbey Lincoln avec l\u2019orchestre de Max Roach <\/i><\/b><b><i>quand elle scande le nom des tribus pers\u00e9cut\u00e9es en Afrique du Sud dans la chanson \u201cTears for Johannesburg<\/i><\/b><span style=\"font-weight: 400;\">\u201d&nbsp;<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Au dos du vinyle \u201cThe Quest\u201d de Sam Rivers, il est significatif cet avion d\u00e9coup\u00e9 dans une carte du monde comme en plient les enfants dans du journal.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Les titres de Miles, Mingus ou Bird fr\u00f4lent d\u2019autres g\u00e9ographies : <\/span><span style=\"font-weight: 400;\">\u201cSketches of spain\u201d , \u201cTijuana Moods\u201d,&nbsp; \u201cBegin the Beguine\u201d.<\/span><span style=\"font-weight: 400;\"><br>\n<\/span><\/p>\n<p><span style=\"font-weight: 400;\">John Mc Laughlin s\u2019arrime \u00e0 l\u2019Inde. Alice Coltrane se passionne pour l\u2019hindouisme, ses musiques \u2013 \u201cPtah\u201d, \u201cMantra\u201d \u2013 t\u00e9moignent d\u2019un deuxi\u00e8me langage donn\u00e9 \u00e0 son onirisme.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A l\u2019inverse, Gato Barbieri, Rabih Abou-Khalid, Trilok Gurtu, Django, Hermeto Pascoal, Chris McGregor, marient leurs racines au jazz universellement partageable.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&nbsp;Miriam Makeba illuminera de son Afrique du Sud les \u201cnight spots\u201d de N-Y et Las&nbsp;Vegas.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b><i><span class=\"dquo\">\u201c<\/span>Frontline\u201d de Ren\u00e9 Vautier, de 2,55 \u00e0 3,47 la profession de foi politique de la chanteuse Miriam Makeba<\/i><\/b><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=H8peQsBipUM\">https:\/\/\u200bwww\u200b.youtube\u200b.com\/\u200bw\u200ba\u200bt\u200bc\u200bh\u200b?\u200bv\u200b=\u200bH\u200b8\u200bp\u200be\u200bQ\u200bs\u200bB\u200bi\u200bpUM<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Cette effervescence laisse ses pierres d\u2019angle, ses tr\u00e9sors m\u00e9connus.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">En mai 1968 un pianiste fran\u00e7ais Jef Gilson prend le dernier avion en partance de Paris boulevers\u00e9 par la gr\u00e8ve g\u00e9n\u00e9rale. Bloqu\u00e9 \u00e0 Tananarive il fonde Jef Gilson\/Malagasy avec ces musiciens malgaches affut\u00e9s \u00e0 l\u2019improvisation, charg\u00e9s de l\u2019\u00e9nergie inou\u00efe des laiss\u00e9s pour compte.&nbsp;<\/span><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_13921\" aria-describedby=\"caption-attachment-13921\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"wp-image-13921 size-large lazyload\" data-src=\"https:\/\/www.auxsons.com\/wp-content\/uploads\/2020\/12\/gilson-malagasy-1-1004x1024.jpeg\" alt=\"Jeff Gilson : Malagasy (1972)\" width=\"640\" height=\"653\" data-srcset=\"https:\/\/www.auxsons.com\/wp-content\/uploads\/2020\/12\/gilson-malagasy-1-1004x1024.jpeg 1004w, https:\/\/www.auxsons.com\/wp-content\/uploads\/2020\/12\/gilson-malagasy-1-294x300.jpeg 294w, https:\/\/www.auxsons.com\/wp-content\/uploads\/2020\/12\/gilson-malagasy-1-768x783.jpeg 768w, https:\/\/www.auxsons.com\/wp-content\/uploads\/2020\/12\/gilson-malagasy-1-1507x1536.jpeg 1507w, https:\/\/www.auxsons.com\/wp-content\/uploads\/2020\/12\/gilson-malagasy-1-2009x2048.jpeg 2009w, https:\/\/www.auxsons.com\/wp-content\/uploads\/2020\/12\/gilson-malagasy-1-scaled.jpeg 1883w\" data-sizes=\"(max-width: 640px) 100vw, 640px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 640px; --smush-placeholder-aspect-ratio: 640\/653;\"><figcaption id=\"caption-attachment-13921\" class=\"wp-caption-text\"><strong>Jeff Gilson : Malagasy (1972)<\/strong><\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Dans une autre \u00eele la \u201cN\u00e9gritude\u201d de l\u2019antillais Jacques Coursil boucane sa trompette dans le fluide de l\u2019histoire.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Des m\u00e2nes ancestrales enivrent d\u2019oc\u00e9an des <span class=\"caps\">ADN<\/span> endormis.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">J\u2019\u00e9tais parti de la toque de Monk, j\u2019aurais pu d\u00e9buter par les gris-gris de Kirk, les musiciens de l\u2019Art Ensemble de Chicago visages couverts de peintures tribales, le costume afro-cosmique de Sun Ra qui dira : \u201cPlus je consid\u00e8re le monde d\u2019aujourd\u2019hui et la moisson des possibles, plus j\u2019aime l\u2019id\u00e9e de l\u2019impossible\u201d.&nbsp;<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Les musiciens&nbsp; sont les compagnons d\u2019une vie, la vir\u00e9e des Billy Harper, Henry Grimes, Carla Bley dans un demi si\u00e8cle dessine nos cartes intimes.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Le Jazz est une constellation, la World Music est affaire de clan, de transmission r\u00e9gl\u00e9e.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Roswell Rudd du multiracial Liberation Music Orchestra donnera plus tard son panache au \u201cMali Cool\u201d de Toumani Diabat\u00e9.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">David Murray fusionnera des m\u00e9triques de lave avec les ma\u00eetres carib\u00e9ens du Gwo-Ka.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Stan Getz inventera des confluences o\u00f9 la Samba r\u00eavasse \u00e0 c\u00f4t\u00e9 du candombl\u00e9&nbsp;.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Des musiciens japonais se v\u00eatent des r\u00eaves import\u00e9s de Chicago, d\u2019Alabama.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">La <span class=\"caps\">RDA<\/span> est folle de musique noire et d\u2019Angela Davis.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">En Europe - terre d\u2019accueil pour musiciens \u00e9chou\u00e9s - les labels<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><span class=\"caps\">ECM<\/span>, Enja, <span class=\"caps\">BYG<\/span> donneront des sillons \u00e0 semer aux enfants d\u2019Am\u00e9rique.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Le norv\u00e9gien Jan Garbarek avec le br\u00e9silien Nana Vasconcelos, jouera ses images bor\u00e9ales, si loin du \u201cStrange Fruits\u201d de Nina Simone.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Hank Jones et Cheick Tidiane Seck composent un br\u00e9viaire m\u00e9tisse : \u201cSarala\u201d.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Archie Shepp convie la confr\u00e9rie gnaoui de Tanger, la musique est possession.<\/span><span style=\"font-weight: 400;\"><br>\n<\/span><span style=\"font-weight: 400;\">Dollar Brand (<\/span><span style=\"font-weight: 400;\">Abdullah Ibrahim ndlr)<\/span><span style=\"font-weight: 400;\"> adapte le traditionnel Waya-Wa Egoli.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b><i>\u201d A Brother With Perfect Timing \u201d consacr\u00e9 \u00e0 Abdullah Ibrahim,&nbsp; de 21.02 \u00e0 23.00 un tr\u00e8s beau moment de concert au Sweet&nbsp;Basil.<\/i><\/b><\/p>\n<iframe title=\"Abdullah Ibrahim - A Brother With Perfect Timing (1987)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/nb31DFIfpao?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Le jama\u00efcain Ernest Ranglin effleure de son swing le Calypso.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">La&nbsp; \u201cSono mondiale\u201d br\u00fble les chemins des migrations anciennes, les routes du milieu.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Le Rap est l\u2019apprenti sorcier d\u2019un syncr\u00e9tisme ravivant d\u2019obscures m\u00e9moires.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Voil\u00e0 le jeu des <span class=\"caps\">MIGRATIONS<\/span> <span class=\"caps\">SONORES<\/span>&nbsp; ; le studio \u00e0 Paris o\u00f9 Don Cherry enregistra Mu est celui d\u2019un autre voyageur sensible, Pierre Barouh aux amours br\u00e9siliennes.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Maria Beth\u00e2nia et Paulinho da Viola (extrait du film \u201cSaravah\u201d de Pierre Barouh-1972)<\/b><\/p>\n<iframe title=\"Trecho de Saravah\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/7Wha000ZGiA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Les continents alignent leurs plan\u00e8tes, offrent le sang-m\u00eal\u00e9 aux Orishas des origines<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ce voyage dans le temps avait ses pr\u00e9curseurs. <\/span><span style=\"font-weight: 400;\">Avec <em>Afro-Eurasian Eclipse<\/em>, Duke Ellington - n\u00e9 en 1899&nbsp; - r\u00e9v\u00e9lait l\u2019ailleurs qui a toujours hant\u00e9 le Jazz. Ode \u00e0 la <span class=\"caps\">PULSATION<\/span>, animisme vibratoire, sacr\u00e9 turbulent qui ajuste fanfares aux pouvoirs des f\u00e9tiches - chef-d\u2019\u0153uvre de celui qui inspira les plus audacieux musiciens du si\u00e8cle o\u00f9 se d\u00e9chainera la fabuleuse aventure de l\u2019enregistrement, de la duplication, de l\u2019hybridation sans garde-fou des alg\u00e8bres sonores.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Duke Ellington - <em>Didjeridoo<\/em><\/b><\/p>\n<iframe title=\"Duke Ellington - Didjeridoo\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/joEzm_XkbGU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p><span style=\"font-weight: 400;\">Denis P\u00e9an, chanteur du groupe Lo\u2019jo, offre un floril\u00e8ge po\u00e9tique et m\u00e9taphysique parcourant les liens entre jazz et m\u00e9tissages musicaux&nbsp;:<\/span><\/p>\n<p class=\"p1\"><span class=\"dquo\">\u00ab<\/span> <span style=\"font-weight: 400;\">Dois-je commencer par la l\u00e9gendaire toque de Thelonius Monk tel un couvre-chef de roi africain, ou par le collier en cauris de Jeanne Lee ? <\/span><span style=\"font-weight: 400;\">Tout ce qui attire le musicien jazz vers l\u2019Afrique originelle se loge autant dans le plus petit apparat qu\u2019en m\u00e9taphysique. <\/span><span style=\"font-weight: 400;\">Le Free rend au cosmos ses salves de mati\u00e8res disloqu\u00e9es.&nbsp;<\/span><span style=\"font-weight: 400;\">Dans le pays du jazz, divinit\u00e9s, r\u00e9volution, imaginaire s\u2019\u00e9panouissent dans une fresque hallucinante. <\/span><span style=\"font-weight: 400;\">L\u2019Afrique n\u2019est pas loin ou son reflet troubl\u00e9 de fantasmes. <\/span><span style=\"font-weight: 400;\">\u00bb<\/span><\/p>\n","protected":false},"author":271,"featured_media":13915,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-13914","focus","type-focus","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>JAZZ, CAURIS, COSMOS &amp; PULSATION (dans la seconde partie du XXe si\u00e8cle) - #AuxSons<\/title>\n<meta name=\"description\" content=\"Denis P\u00e9an, chanteur du groupe Lo&#039;jo, offre un floril\u00e8ge po\u00e9tique et m\u00e9taphysique parcourant les liens entre jazz et m\u00e9tissages musicaux : \u00ab Dois-je commencer par la l\u00e9gendaire toque de Thelonius Monk tel un couvre-chef de roi africain, ou par le collier en cauris de Jeanne Lee ? Tout ce qui attire le musicien jazz vers l&#039;Afrique originelle se loge autant dans le plus petit apparat qu&#039;en m\u00e9taphysique. Le Free rend au cosmos ses salves de mati\u00e8res disloqu\u00e9es.\u00a0Dans le pays du jazz, divinit\u00e9s, r\u00e9volution, imaginaire s&#039;\u00e9panouissent dans une fresque hallucinante. L&#039;Afrique n&#039;est pas loin ou son reflet troubl\u00e9 de fantasmes. \u00bb\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.auxsons.com\/en\/focus\/jazz-cauris-cosmos-pulsation-dans-la-seconde-partie-du-xxe-siecle\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"JAZZ, CAURIS, COSMOS &amp; PULSATION (dans la seconde partie du XXe si\u00e8cle) - #AuxSons\" \/>\n<meta property=\"og:description\" content=\"Denis P\u00e9an, chanteur du groupe Lo&#039;jo, offre un floril\u00e8ge po\u00e9tique et m\u00e9taphysique parcourant les liens entre jazz et m\u00e9tissages musicaux : \u00ab Dois-je commencer par la l\u00e9gendaire toque de Thelonius Monk tel un couvre-chef de roi africain, ou par le collier en cauris de Jeanne Lee ? Tout ce qui attire le musicien jazz vers l&#039;Afrique originelle se loge autant dans le plus petit apparat qu&#039;en m\u00e9taphysique. Le Free rend au cosmos ses salves de mati\u00e8res disloqu\u00e9es.\u00a0Dans le pays du jazz, divinit\u00e9s, r\u00e9volution, imaginaire s&#039;\u00e9panouissent dans une fresque hallucinante. 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