{"id":17708,"date":"2021-06-08T11:35:20","date_gmt":"2021-06-08T09:35:20","guid":{"rendered":"http:\/\/www.auxsons.com\/?post_type=breves&#038;p=17708"},"modified":"2021-06-10T16:16:16","modified_gmt":"2021-06-10T14:16:16","slug":"sounds-of-the-world-music-in-the-myanmar-protests","status":"publish","type":"breves","link":"https:\/\/www.auxsons.com\/en\/breves\/sounds-of-the-world-music-in-the-myanmar-protests\/","title":{"rendered":"Sounds of the world :&nbsp;Music in the Myanmar protests&nbsp;"},"content":{"rendered":"<p><em>Cet article en anglais est le r\u00e9sultat d\u2019un projet collaboratif entre #AuxSons et <strong><a href=\"https:\/\/www.auxsons.com\/en\/focus\/portraying-the-city-through-music\/\" target=\"_blank\" rel=\"noopener\">Alejandro Abbud Torres Torija<\/a><\/strong>, professeur \u00e0 Sciences Po Paris Campus Reims, et contributeur r\u00e9gulier d\u2019#AuxSons. Dans le cadre du cours \u201cSons du monde : la musique comme miroir de l\u2019intime et du collectif\u201d des \u00e9tudiants internationaux de Sciences Po Paris Campus Reims se sont pench\u00e9s sur les liens entre musiques des quatre coins du monde et enjeux sociopolitiques.&nbsp;<\/em><\/p>\n<p><em>This article is a result of a collaborative project between #AuxSons and <strong><a href=\"https:\/\/www.auxsons.com\/en\/focus\/portraying-the-city-through-music\/\" target=\"_blank\" rel=\"noopener\">Alejandro Abbud Torres Torija<\/a><\/strong>, lecturer at Sciences Po Paris Campus Reims, and regular contributor to #AuxSons. As part of the class \u201cSounds of the world: Music as mirror of the intimate and the collective\u201d, international students from Sciences Po Paris Campus Reims prepared articles presenting contemporary music from different parts of the world in connection with recent socio-political events.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><span class=\"dquo\">\u00ab<\/span> <span style=\"font-weight: 400;\"><em>Viva la revolution! Let\u2019s sing together, let\u2019s fight together!<\/em> <\/span>\u00bb<span style=\"font-weight: 400;\">&nbsp;shouted the leader of Rebel Riot, a Birmanian punk fighting against the junta<\/span><span style=\"font-weight: 400;\">. Since February\u2019s coup, music has played a central role in the protests. Myanmar and protest songs have a long-shared history: the protesters quickly turned to songs that defined the 1988 pro-democracy uprisings. The three most well-known songs are <em>Blood Oath<\/em>, <em>We Shall Not Surrender Till The End Of The World<\/em> and <em>Encourage Mi Nge<\/em>. These three songs share common themes of fighting for the nation\u2019s freedom and for history as well as facing hardships to achieve peace. They remind the entire country of its common past of fighting together against a military dictatorship. For example, <em>We shall not surrender<\/em> mentions key historical Burmese figures, such as Aung San, an independence activist considered as the father of modern Myanmar, and Thakin Kodaw Hmaing, a poet and political thinker remembered for initiating the peace movement in the country.&nbsp;<\/span><\/p>\n<p><strong>Blood Oath&nbsp;<\/strong><\/p>\n<iframe title=\"\u1021\u101b\u1031\u1038\u1000\u103c\u102e\u1038\u1015\u103c\u102e ( A YAY KYI PYI ) Lyric Video\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/anwLD06nt_I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p><strong><em>We Shall Not Surrender Till The End Of The&nbsp;World&nbsp;<\/em><\/strong><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=Dsrm2DpoJwo\">https:\/\/\u200bwww\u200b.youtube\u200b.com\/\u200bw\u200ba\u200bt\u200bc\u200bh\u200b?\u200bv\u200b=\u200bD\u200bs\u200br\u200bm\u200b2\u200bD\u200bp\u200bo\u200bJwo<\/a><\/p>\n<p><strong><em>Encourage Mi&nbsp;Nge&nbsp;<\/em><\/strong><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=D8cZptGnjDc\">https:\/\/\u200bwww\u200b.youtube\u200b.com\/\u200bw\u200ba\u200bt\u200bc\u200bh\u200b?\u200bv\u200b=\u200bD\u200b8\u200bc\u200bZ\u200bp\u200bt\u200bG\u200bn\u200bjDc<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">However, as the 2021 protests have been led by the youth, new songs have also been created. This is the case of <em>The Dictatorship Must End<\/em>, <em>One Day<\/em> and <em>Revolution<\/em>. Like their ancestors, these three songs all mention being ready for the revolution, fighting for the people\u2019s rights and lives, and ending the dictatorship. They illustrate Generation Z\u2019s crucial role in these protests: all have become popular tools of resistance after being uploaded on social media. They are also part of a specific movement online: the Milk Tea Alliance, a movement of citizens from Hong Kong, Taiwan, Thailand and Myanmar, who are all fighting for democracy. As such, they have helped to gather international support for the pro-democracy movement. Like their older counterparts, these new songs also reference \u201cheroes\u201d of the nation, like \u201caunt\u201d Aung San Suu Kyi, whom they want freed \u2014 she was placed on house arrest at the beginning of the&nbsp;coup.&nbsp;<\/span><\/p>\n<p><strong>The Dictatorship Must End (protest version)&nbsp;<\/strong><\/p>\n<iframe title=\"\u201c\u1005\u1005\u103a\u1021\u102c\u100f\u102c\u101b\u103e\u1004\u103a\u1005\u1014\u1005\u103a \u1021\u1006\u102f\u1036\u1038\u101e\u1010\u103a\u101b\u1019\u100a\u103a\u201d\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/FWzQe3SAHOM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"font-weight: 400;\">Music has proven to be a powerful tool in the fight against dictatorship. Indeed, the songs have been used to call people into joining the movement, either by making links with Myanmar\u2019s past or by appealing to shared values.&nbsp;<\/span><\/strong><\/p>\n<p><strong>Rebel Riot - <em>One Day&nbsp; <\/em><\/strong><\/p>\n<iframe title=\"The Rebel Riot - One Day\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/3ODKj6E-L5E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Moreover, in a society where women are expected to stay quiet, music has been a way for them to take the lead and go against the system \u2014 as the singer of the band Rebel Riot explained in an interview with Al-Jazeera. It can also help people cheer each other up in a time of hardships, and is very cathartic for musicians as well as the public, in a period of high uncertainty and&nbsp;fear.<\/span><\/p>\n<p><strong>Revolution&nbsp;<\/strong><\/p>\n<iframe title=\"REVOLUTION\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Zs3NQkYuQlg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Music has therefore been a way to unite, but also to resist when it cannot be done otherwise. It is an easy and powerful way to occupy spaces when the military blocks streets and dissipates gatherings. Moreover, it gives everyone a voice: not only has it helped the movement gain international attention on social media, but while the military fights with weapons, people resist with what they have, voices, guitars, pots, and&nbsp;pans.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><em>the author:<\/em><\/p>\n<p><strong>Carmine Audoly<\/strong><span style=\"font-weight: 400;\"> is a French student at Sciences Po and has lived in Paris and Los Angeles. Music is a central part of her life. She plays the accordion, the piano, and sings opera as well as jazz and rock music. As a political science student, she is particularly interested in the links between music and politics.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><em>photo : <\/em>Rebel Riot - <em>One Day&nbsp; <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cet article en anglais est le r\u00e9sultat d\u2019un projet collaboratif entre #AuxSons et Alejandro Abbud Torres Torija, professeur \u00e0 Sciences Po Paris Campus Reims, et contributeur r\u00e9gulier d\u2019#AuxSons. Dans le cadre du cours \u201cSons du monde : la musique comme miroir de l\u2019intime et du collectif\u201d des \u00e9tudiants internationaux de Sciences Po Paris Campus Reims<\/p>\n","protected":false},"author":4,"featured_media":17718,"template":"","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-17708","breves","type-breves","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sounds of the world :\u00a0Music in the Myanmar protests\u00a0 - #AuxSons<\/title>\n<meta name=\"description\" content=\"Cet article en anglais est le r\u00e9sultat d&#039;un projet collaboratif entre #AuxSons et Alejandro Abbud Torres Torija, professeur \u00e0 Sciences Po Paris Campus\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.auxsons.com\/en\/breves\/sounds-of-the-world-music-in-the-myanmar-protests\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sounds of the world :\u00a0Music in the Myanmar protests\u00a0 - 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