{"id":22362,"date":"2022-04-13T10:48:30","date_gmt":"2022-04-13T08:48:30","guid":{"rendered":"https:\/\/www.auxsons.com\/?post_type=album&p=22362"},"modified":"2022-04-13T10:48:30","modified_gmt":"2022-04-13T08:48:30","slug":"good","status":"publish","type":"album","link":"https:\/\/www.auxsons.com\/en\/album\/good\/","title":{"rendered":"Good"},"content":{"rendered":"

Dans ce nouvel album reggae-dub, fruit de dix ann\u00e9es de travail d\u2019\u00e9criture, de composition et de production, la MC<\/span> \u00e9cossaise entrem\u00eale les enregistrements studio de ses musiciens, The Stone Monks, \u00e0 des productions plus digitales sign\u00e9es par diff\u00e9rents compositeurs.<\/p>\n

De cette multitude de musiciens et producteurs, na\u00eet un son original \u00e0 la crois\u00e9e du reggae, du dub et du jazz, voire de la pop.<\/strong><\/em><\/p>\n

Les titres \u201cBig Bad World\u201d<\/a>, \u201cYes My People\u201d, \u201cBorn Free\u201d, \u201cMy Struggle\u201d, \u201cYour Time\u201d et \u201cMy Shelter\u201d compos\u00e9s par le producteur fran\u00e7ais Kiko, apportent un son tr\u00e8s digital \u00e0 une partie importante de l\u2019album.<\/p>\n

Tandis que \u00ab Don\u2019t Stand for Dis \u00bb et \u00ab Steps \u00bb sont le fait de la l\u00e9gende londonienne du dub, Gaudi, et rendent hommage aux premi\u00e8res heures du dub \u00e0 grands renforts d\u2019\u00e9chos et de r\u00e9verb\u00e9rations dans la plus pure tradition du style.<\/p>\n

\u00ab<\/span> One Real Friend \u00bb compos\u00e9 par Alex Dupuis de Flash Hit Records apporte une touche swing et jazz des plus bienvenues. \u00ab World We Live In \u00bb, \u00ab Our Day \u00bb, \u00ab I Wanna Live \u00bb, \u00ab Get the Fruit \u00bb et \u00ab One More Tune \u00bb ont \u00e9t\u00e9 compos\u00e9s \u00e0 Paris sur plusieurs ann\u00e9es avec The Stone Monks, sous la supervision de Xavier Waks. C\u2019est aussi ce dernier qui a mix\u00e9 l\u2019int\u00e9gralit\u00e9 de l\u2019album dans son studio 31DB<\/span> avant de le passer \u00e0 Simon Capony pour le mastering au Basalte Studio.<\/p>\n

Comme \u00e0 son habitude, Soom T continue de se questionner sur les probl\u00e8mes politiques et sociaux de notre \u00e9poque, le tout avec une approche spirituelle, un style inimitable et un flow incisif qui lui sont propres.<\/p>\n

Si elle d\u00e9plore les c\u00f4t\u00e9s sombres de notre \u00e9poque dans des morceaux comme \u00ab Big Bad World \u00bb, elle ne tente pas moins de trouver une lueur d\u2019espoir avec des titres aux messages ultra positifs, tant\u00f4t tr\u00e8s m\u00e9lodiques, tel que \u00ab Don\u2019t Stand for Dis \u00bb, ou entrainants, \u00e0 l\u2019image de \u00ab Yes My People \u00bb.<\/p>\n

\u00ab<\/span> I Wanna Live \u00bb et son riff de guitare ent\u00eatant, \u00ab Our Day \u00bb avec ses accords majeurs lumineux ou encore \u00ab Amazing Graces \u00bb d\u00e9versent un flot d\u2019optimisme au milieu de th\u00e8mes beaucoup plus lourds. Sur la pochette de \u00ab Good \u00bb on retrouve un portrait de Soom T, micro en main, r\u00e9alis\u00e9 par la street artiste fran\u00e7aise sp\u00e9cialiste de 3D<\/span>, Nikita.<\/p>\n

Pr\u00e9parez-vous pour un voyage musical unique \u00e0 la recherche de tout ce qui est \u00ab bon \u00bb dans ce monde avec \u00ab Good \u00bb<\/a>, le tant attendu nouvel album de Soom T, la \u00ab Reine du raggamuffin \u00bb !<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Dans ce nouvel album reggae-dub, fruit de dix ann\u00e9es de travail d\u2019\u00e9criture, de composition et de production, la MC<\/span> \u00e9cossaise entrem\u00eale les enregistrements studio de ses musiciens, The Stone Monks, \u00e0 des productions plus digitales sign\u00e9es par diff\u00e9rents compositeurs. De cette multitude de musiciens et producteurs, na\u00eet un son original \u00e0 la crois\u00e9e du reggae,<\/p>\n","protected":false},"author":375,"featured_media":22359,"template":"","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-22362","album","type-album","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nGood - #AuxSons<\/title>\n<meta name=\"description\" content=\"Dans ce nouvel album reggae-dub, fruit de dix ann\u00e9es de travail d\u2019\u00e9criture, de composition et de production, la MC \u00e9cossaise entrem\u00eale les enregistrements\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.auxsons.com\/en\/album\/good\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Good - #AuxSons\" \/>\n<meta property=\"og:description\" content=\"Dans ce nouvel album reggae-dub, fruit de dix ann\u00e9es de travail d\u2019\u00e9criture, de composition et de production, la MC \u00e9cossaise entrem\u00eale les enregistrements\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.auxsons.com\/en\/album\/good\/\" \/>\n<meta property=\"og:site_name\" content=\"#AuxSons\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/auxsons\/\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.auxsons.com\/wp-content\/uploads\/2022\/04\/soom-t-good-hd-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1920\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@auxsons\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.auxsons.com\\\/en\\\/album\\\/good\\\/\",\"url\":\"https:\\\/\\\/www.auxsons.com\\\/en\\\/album\\\/good\\\/\",\"name\":\"Good - 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